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Recent Reading: February 2023

The Fisherman

John Langan

tags: weird horror, weird fiction, fantasy worlds, dark magic

I’m not sure whether it’s a story with a long digression in the middle, or a story with a long framing device bookending it, but either way an odd construction—a tale split in the middle by another story as long as the rest combined. That middle story is the more vivid one to me, the characters more fleshed out, the setting more vivid, and that sort of works given that the middle story is meant to be almost an infection, capable of carrying additional details even if they aren’t told.

The outer story drapes itself in the weight of loss, and I don’t know that it quite carries it. Those human elements aren’t what has stuck with me, at least. Not in the same way as the more fairy tale-like middle story, which spans generations and continents. That one is a story of duelling dark magicians, more compelling but I guess less weird than a lonely fisherman stumbling onto the fringes of that story. So what this really is, is a weird story that manages to explain itself without losing its impact.

Hellboy Omnibus 1: Seed of Destruction

Mike Mignola

tags: graphic novels, weird fiction, tentacle monsters, frogs, rasputin

Such a perfect fusion of weird horror and pulp and comic book tropes, with some of the most striking art that comics have produced. I don’t know why I’ve only ever read bits and pieces of Hellboy, I’ve known for ages that I would love it when I got around to it. Maybe it’s that there’s so much of it out there, but right now that’s what makes it so delightful to start on it.

It was the documentary Mike Mignola: Drawing Monsters that pushed me into finally sitting down to read a Hellboy collection. I’m usually pretty leery of art documentaries, but Drawing Monsters was one of the best I’ve seen in a long while. Mignola himself seems down-to-earth and self-depricating, and generally aware of his flaws, and it’s nice to find someone who managed to build a career around doing what he loves and recognizes how fortunate that is. Plus, the directors seemed like nice folks when I interviewed them last year for the CUFF.Docs documentary film fest.

What We See When We Read

Peter Mendelsund

tags: meta-analysis, phenomenology, design, essay, visual essay

This visual essay is based on a premise that doesn’t really hold true for me, in that I have never really felt that I “see” when I read. So when Mendelsund tries to convince me that “seeing” is a false impression that’s disconnected from the actual experience, I’m already there. If there’s a revelation to be had from that, it’s just that I thought other people with a stronger visual sense would have a different experience. Maybe not.

Outside of that, I definitely enjoyed Mendelsund’s flair for visual metaphor, and the book’s questioning of the experience of reading. It’s kind of amazing how much The Master and HIs Emissary is impacting everything else I read that comments on perception and phenomenology and philosophy of mind. Here, Mendelsund describes what we “see” of the characters and settings we read about as fragmented, detailed in parts but not additive—more details don’t create a more vivid image, even if they do create a more rounded understanding.

I kept thinking of the left-brained mode of perceiving, the one that dissects and strips of context, that knows the parts that make up a whole but can’t seem to understand how to put them together. Mendelsund isn’t using that framework, but everything he says fits the idea that literature and language more generally is the domain of the dissecting left brain.

The Ladies of Grace Adieu and Other Stories

Susanna Clarke

tags: short stories, fairy tales, fantasy, magic, fairies

It doesn’t have the scope of Jonathan Strange & Mr. Norrell, and it doesn’t suggest the same depths as Piranesi* but Clarke is a delightful writer and these stories nicely flesh out her conception of fairies as a strange mix of sophisticated and feral. Decadent is probably the word for it—the characters, not the stories, which are modest enough and all have the feel, appropriately, of fairy tales for adults.

Charming as most of the stories are, the real treat was the brief return of Jonathan Strange. Funny how satisfying it can be to revisit a character in a more relaxed setting.

*Not exactly fair to compare, given that Piranesi is quite possibly my favourite piece of fiction in the last decade or so, just an absolutely magical work in every sense of the word.

Chokepoint Capitalism

Rebecca Giblin and Cory Doctorow

tags: non-fiction, capitalism, monopolies, monopsonies, intellectual property, collectivism

Plenty of good anecdotes on the way companies use their position as dominent buyers or sellers to manipulate markets, pocket unfair shares of wealth, and generally make life worse for everyone who isn’t their execs and shareholders. The collective solutions proposed all seem like reasonable starting points, too—but while I agree with their point that systemic problems require systemic solutions, I don’t feel like I left the book with a starting point of how to work towards that change.

Maybe just naming the problem and talking about it is a sound enough starting point. Chokepoint Capitalism is a useful term, evocative and intuitive to understand, but also expansive enough to capture a whole world of corporate corruption. If it bleeds its way into more general discourse, that can only be a good thing.

Recent Reading: January 2023

22 Ideas About the Future

Benjamen Greenaway (Editor)

A collection of short sci-fi exploring the present through elabourations of technological trends, plus essays picking at the threads the authors have raised. The ideas are more interesting than the prose, which can come across a bit amateurish—but then these are meant to be bite-sized provocations more than complete stories, so it’s hard to complain on that front. The bulk of the stories are dystopian, extrapolating the worst tendencies of our modern systems into bleak Black Mirror vignettes, but I was pleasantly surprised to see a mix of hopeful stories in with the cautionary tales, along with some that are a mix of both. Tech is rarely just one or the other, and these brief glimpses into possible futures are a great way of illustrating that mixed potential.

Journey of the Mind: How Thinking Emerged from Chaos

Ogi Ogas and Sai Gaddam

An interesting book that doesn’t quite achieve what it promises (the humble task of resolving the age-old question of what consciousnes is and how it emerges from unconscious matter). The authors seem convinced that it does, and maybe something is lost in the translation from math-heavy research papers to accessible prose, but I don’t think I’m any closer to grasping it.

The key chapter on self makes a distinction between consciousness and self-awareness that I’m having a particularly hard time with, essentially saying that many creatures have qualia experiences of the world, but only humans are aware of themselves having them (unless they’re actively engaged in something like the mirror test, at which point a self-aware self emerges only to disappear once the mirror is removed). And I just can’t grok the concept of consciousness without awareness.

The idea of consciousness as a process, like a basketball game or hurricane, seems accurate but not exactly groundbreaking, and also an oversimplification. After all, a game is only a game because of the conscious actors playing it, and a hurricane is a dramatic example but that comparison relies on the drama of the image; a waterfall is a similarly context-dependent arrangement of water, but you’d be hard-pressed to convince me that saying “”consciousness is like a waterfall”” would tell me anything useful. Game, hurricane, and waterfall are all categories that emerge out of conscious beings assigning names and categories to physical processes; it’s hard to see how they can be used to explain the emergence of consciousness itself.

I did find it was wonderfully written, and its descriptions of mental processes were clear and informative. I don’t feel much closer to understanding the mystery of the self, but there’s plenty to chew on regardless (as evidinced by the fact this summary is double the length of the other three combined).

God Country

Donny Cates, Geoff Shaw, Jason Wordie

A neat pairing of Jack Kirby-style cosmic gods and rural family drama—a story about memory, loss, death, and chopping up space-demons with a sentient 12-foot sword. It’s pulp, but well-done pulp, with enough world-building to feel fleshed out but not so much that it’s bogged down in its own mythology.

Cates’ take on the cosmic realm is more coherent and grounded than Kirby, for better and worse—I’m a sucker for that Kirby krackle, and the incomprehensibility of his mythos was part of the charm. But God Country’s groundedness is a nice spin on the subject matter, and there’s no denying the book does everything it sets out to do.

A Psalm for the Wild-Built

Becky Chambers

If I were able to write fiction, I think this is the kind of fiction I’d like to write. The first book in the Monk & Robot series is gentle and thoughtful, but manages to pick at some anxieties I’ve been having for a long time, about purpose and direction and satisfaction. There’s not much in the way of conflict, but plenty in the way of insight, and it’s short enough that I basically inhaled it.

Even more than the characters, I want to spend more time with the book’s religious system, which is revealed in small details but still largely mysterious by the end of the book. The best fictional religions have a way of concisely showing what’s important in a given world—which I guess real religions do, too, but those are so much more multilayered and convoluted from centuries of revision and interpretation that it takes real scholarship to that heart. A religion in a fiction is more concentrated by necessity, but still abstracted enough to have that feeling of mystical importance, a distilled philosophy dressed in metaphor. I’m hoping Chambers delves into it more in the sequel.

Books I read in 2022

BookWyrm says I’ve read about 6,500 pages this year (which probably includes a bunch of appendices and end notes that I didn’t actually read, but I’ll still take it). I feel like a very slow reader compared to some of my more literary friends, so making it through 20 books (including a couple of novellas and essay collections) feels like an accomplishment. Especially considering all of the other books I’ve started and set aside, or skimmed with the intention of returning to, or am still chipping away at when the mood hits, of which there are probably at least another dozen. I’m a very inconsistent reader, is what I’m getting at.

Which means the books I actually finish tend to be ones I’m genuinely enjoying—and that makes ranking into a pretty arbitrary task. So instead, just assume that if the description seems like something you’d be interested in, it’s probably worth the time investment. Keeping in mind my reading tastes can tend towards the dry and semi-academic.

I still need to do a better job of diversifying my reading. Of the 19 authors below, nine are women or people of colour, which means more than half are neither of those. Something to work on in the new year (and most of the books on my immediate to-read list will help with that, at least).

Books I actually finished this year:

TitleAuthorAbout
Being PeaceThich Nhat HanhA guide to Buddhist thought, rooted in empathy and kindness.
Ducks: Two Years in the Oil SandsKate BeatonAn unflinching graphic novel documenting Beaton’s time working in the oil sands—darker and heavier than I was expecting from Beaton, but the subject matter merits it.
In Praise of PathsTorbjørn EkelundMore a memoir than the book on walking that I was expecting, but still fairly enjoyable.
The Ministry for the FutureKim Stanley RobinsonFor a writer who’s often put at the forefront of optimistic sci-fi, Robinson’s near-future look at how humanity might navigate climate change still feels mighty bleak. I guess we’re at the point where “making it through will be incredibly difficult but not completely impossible” counts as optimism.
Moon of the Crusted SnowWaubgeshig RiceOne of two authors I had a chance to interview at Wordfest. Apocalyptic fiction from an Indigenous perspective, with the resilience and practicality that comes from having survived other cultural apocalypses already.
My View of the WorldErwin SchrödingerViews on the nature of self, connectedness, and reality. Yes, the cat in a box guy. No, that isn’t in this book.
New Dark AgeJames BridleHow our technology and culture are undermining our ability to understand the world, and what we can potentially do about it.
SSOTBMELionel Snell/Ramsey DukesThe most esoteric book on this list, but a very thought-provoking one on four systems for navigating the world: magic, science, religion, and art.
Strength to LoveMartin Luther King JrAdapted from King’s sermons, so more overtly Christian than most of what I read, but it seemed overdue to try to get a better sense of his actual thinking vs the sanitized hand-me-down version in popular culture.
The Dawn of Everything: A New History of HumanityDavid Graeber, David WengrowA massive book that aims to redefine how we view human pre-history, in the hopes that will change how we can imagine the future.
The Great God PanArthur MachenOne of the earliest “weird fiction” novellas. Still full of eerie atmosphere, but its ideas have been borrowed so many times that it’s tricky to see it with fresh eyes.
The Master and His Emissary: The Divided Brain and the Making of the Western WorldIain McGilchristAnother of those “reframing human history and experience” books, this time through the lens of the brain’s two hemispheres, in a much more nuanced manner than the usual pop-sci “left vs right brain” way. McGilchrist is impressively well-read in (Western) history, art, and philosophy, to an extent that the book suffers a bit from his thoroughness, but it’s argument is a profound one.
The Midnight BargainCL PolkThe other Wordfest selection, a fun, fast-paced fantasy romance with a vividly imagined world and a clever central metaphor.
The Taiga SyndromeCristina Rivera GarzaA poetic, dream-like detective story with an excellent sense of nature and place. Quick but cryptic, and nearly a year after reading it I remember the mood more than any of the particulars.
The Three Body ProblemCixin LiuLiu has a skill for explaining interesting concepts, but so far I’ve found his storytelling a bit stiff, which made the cynicism of Three Body Problem harder to take. I’m glad to have read it, but not sure I’ll follow up with the sequels.
There Are Places in the World Where Rules Are Less Important Than Kindness : And Other Thoughts on Physics, Philosophy and the WorldCarlo RovelliSome wonderful moments, and a fantastic title, but these short essays on a range of topics don’t quite have the impact of Rovelli’s more focused works—which are some of the most approachable and thoughtful explanations of quantum physics that I’ve ever read.
Transcendence: How Humans Evolved Through Fire, Language, Beauty, and TimeGaia VinceAnother way of contextualizing human history, this time by looking at four key technologies—fire, language, beauty, and time. Optimistic and thought-provoking, and the only book I’ve read that encourages humanity to act more like a slime mold.
Ways of BeingJames BridleAn attempt to find a more generous definition of “intelligence”, one that goes beyond “the thing that humans do” to encompass the perception and cognition of the natural (“more-than-human”) world. I think Bridle and I have been reading a lot of the same authors lately, as a lot of the anecdotes felt quite familiar. Still, I appreciated their interpretations, even if I didn’t always agree with them.
Web of MeaningJeremy LentThematic echoes with Bridle’s Ways of Being and McGilchrist’s Master and His Emissary, in that all three want to rebalance the analytical, fragmented, computational mentality of modern Western thought with other, more holistic ways of knowing. Lent provides a quick gloss of a lot of philosophies, not always convincingly, but it’d make for a good jumping-off point for a lot of further reading.
When Things Fall ApartPema ChodronApplying Buddhist teaching to develop resilience and compassion. An excellent companion to Thich Nhat Hanh’s Being Peace, with slightly more focus on personal well-being. Not sugar-coating the nature of reality (the title is when, not if), but making acceptance a little easier.

Interview: Ann-Marie MacDonald on landscape, love, curiosity, and Victorian ghost stories

(A transcript of an interview on the Oct. 17 episode of The AM on CJSW)

Peter Hemminger Ann Marie MacDonald is an award-winning novelist, a playwright, actor and broadcast host who in 2019 was made an officer of the Order of Canada in recognition for contribution to the arts and her LGBTIQ2SI+ activism. Her writing for the stage includes the plays Goodnight, Desdemona, Good Morning Juliet, and this year’s Hamlet 911, while her novels include Fall on Your Knees, The Way the Crow Flies, Adult Onset and the brand new release Fayne, a tale of science, magic, love and identity set at the border of England and Scotland in the late 19th century.

She’s going to be joining WordFest on October 28th for a conversation there, but she is also joining us this morning for The AM. Ann-Marie MacDonald, thank you so much for calling in. 

Ann-Marie MacDonald Thank you, Peter. I’m delighted to be here, and I can’t wait to be in Calgary. 

PH Have you done a WordFest appearance before? 

AM Oh yeah, yeah. A few years back with Adult Onset, and I did, at that time I did what was called like the High Speed… Oh, hi something rodeo, what was that? 

PH Oh, the High Performance Rodio. With One Yellow Rabbit. 

AM Thank you—High Performance Rodeo, for which I was decorated with a medal. 

PH What was the medal they gave you for that? 

AM It was, I don’t know, with some kind of fun game show format thing and it was completely undeserved. Actually, I think I like someone broke a tie and it really belonged to Michael Crummey. But we’ve made-up since then. It’s OK between us. 

PH No long-lasting grudges from that. 

AM It felt really OK. And I know sometimes that’s how juries work, right? I was the recipient of that flawed process, and this time it went my way. 

PH So you’re going to be coming this just next week, I guess a little over two weeks to talk about your new novel Fayne, which—I know that it’s difficult to describe a 700 page work in a minute or two, but for folks who aren’t familiar with that it, can you give just the high-level summary? 

AM Sure, sure, sure. Remote, windswept, moor. Spooky, crumbling mansion. Mysterious widowed barron. Ultra-charming, brilliant young daughter upon whom he dotes. She has mysterious condition. There are secrets in the house and in the past, many of which are kind of pulsating in this great oil painting portrait that dominates the great sweeping marble staircase. So there is this portrait hangs on the landing and it’s of this gorgeous Irish American heiress, who was Charlotte’s mother, Charlotte being the brilliant 12-year-old. So that’s her gorgeous Irish American mother, who was really rich. And it also depicts Charlotte’s baby brother. And both of these people are dead of course, ’cause it’s a Victorian novel, so the portrait on the stairs has to feature gorgeous, important dead people. 

PH Of course. 

AM And then we find out what became of them and what will become of Charlotte. And there are major questions of identity. 

PH Yeah, and I’m only about five chapters into the work right now, but it very much has the feel of a classic Gothic novel. And you’re a writer who has worked in so many different mediums, written for so many different time periods, has played with metafiction. And I mean Hamlet 911—I didn’t have a chance to see it but the descriptions of that is a piece that plays with a play within a play and commentary on the festival that it’s taking part in—with that kind of breadth of areas that you’ve tackled, how did you land on this? What was it about the Gothic novel that appealed to you? 

AM Well, the Gothic novel is really, for me, foundational. It’s where I began to read as a kid, right?  

I was about 10 years old when I read Jane Eyre for the first time. I was also steeped in Bugs Bunny and The Beatles, and those continued to be like a triumvirate. Those are my triangular points of reference and everything, it can be kind of found within that. 

But I loved the size, and the sweep and the passion and the language. I loved that everything is ultimately connected. That no matter how vast and disperate this world seems to be, everything is intimately connected.  

And that really appeals to me also, I suppose, at a spiritual and political level and at an urgent environmental level. We are connected. All of us, animate and inanimate, right? I think they’re all part of earth and we’re all part of Earth’s consciousness, and that it matters. Everything we do matters. 

There’s also an urgent environmental cri de cœur running through the book, because of course, the moor, the supposedly useless barren moor upon which this story unfolds, is a peat bog, right? And now we understand that peat bogs really are the most important and critical carbon sink in the world as well. They harbor so much about life, and how life burgeons at the margins of the indefinable, soupy primordial margins.  

And that’s what these kinds of landscapes are full of. They’re full of stuff that we haven’t discovered. Stuff that people called magic not too long ago, which we call science now, which we might call magic again tomorrow, you know, and that intersection of—what is magic? What is science? What is spiritual, what is physical, and how are all these things simply a continuum, right? And I feel the same way about identity.  

And then that gets us into the other, you know, I call it my queerest book because it really does take on compulsory heteronormativity, gender, enforced gender norms, and the Victorian era. I mean that was the era of categorization and definition. We’re going to name every species and subspecies, and we’re going to define absolutely everything. And that’s when sex roles become really ironclad, and that’s when class, wealth and class has always been a factor, but certainly gender roles and sex roles become incredibly distinct around that time, too. 

PH One contrast, and I do want to talk about the gender roles that come into the novel, but even just still talking about the landscape that you talk about, that being the era of trying to classify everything, but there’s also been, if you look at the language that used to be used to describe the Moors, I think Robert McFarlane has talked about this wealth of landscape terms for incredibly tiny distinctions of different kinds of land that have been lost over the years and reduced to… I mean windswept moor is a great phrase, but it’s always “windswept moor.” There’s so much specificity that you come to in your language. When you were developing the language to speak about the land, does that affect the way that you’re seeing the world around you? 

AM Oh, absolutely. I mean, that sense of urgency has been with me, I can’t remember when it wasn’t with me, but now I feel it’s it in this book. It’s really impassioned. I feel like the Earth speaks. The Earth is a character. The mud, the very mud is a character in this book. And when I think of that landscape and especially when land turns liquid, almost imperceptibly, when does land become liquid? You know, when does one thing transform into another, and I think of it as a liquid library. You know. Just the richness and the generosity today of our Earth and how she is endlessly—how she-they-he as I make it in the book, which kind of ends with a prayer in that way, really, of gratitude to this entity which continually regenerates and continually escapes our attempts to pin it down. You know, and that’s why I think of it as a liquid library, that mud puddle, you know, we don’t even know what’s in there. Not really, actually. 

PH Yeah, I haven’t really thought of the land in those terms. But I feel like—again, I’m only about five chapters into this book—but there’s so many themes that are already tying together. It’s set in a manor house that exists on the border between England and Scotland, so it’s not really in either. It’s a between place, and the moors themselves are a between place. The time that it’s set in is the emergence of science from a more classical education in some cases, or more folklore based. At what point did you realize that you were writing a work that was set so much, that was so much to do with transitional periods or transitional spaces? 

AM Well, that’s really the key word, isn’t it, transitional? Transitional and transformative.  

I think I intuitively knew that from before the beginning. I wrote a play called Belle Moral back in the 90s, and I became obsessed with transitional species at that point. And then I apply that to everything else, right? Because I think that truth is found in dynamism. We are constantly changing, right? And there are many ways of describing that, whether it’s the second law of thermodynamics or God knows what else, right? But transition is our state. Dynamism is our state. Balance is anything but static. It’s the opposite of static, and that implies uncertainty. But uncertainty can make people feel. It can lead to fear, and fear, of course, is the enemy of thought, is the enemy of curiosity. It’s the enemy of life. It’s the opposite of love. And I think of, really, when I think of it, I think of love as being probably the greatest, most fearsome force that’s going on. Because that’s… Somewhere, Earth is regenerating, constantly, and I I choose to think of that as love. And incredibly powerful. 

PH That curiosity that you speak of… I’m going to bring it back now to talking about the character of Charlotte, and I think this is going to be the last bit that we have a chance to talk about, but she is such an insatiable learner, a person with this, not just a curiosity, I mean curiosity is absolutely what drives her, but this incredible memory as well. She’s well versed in Greek classics. She’s devouring the new cutting-edge science of the late 19th century. How do you keep up with that character’s curiosity as you’re writing them? 

AM Well that just was an excuse to immerse myself and learn. You know, I’m pretty passionate about learning as well, myself.  

She’s way smarter than I am. Luckily, all I had to do was capture and follow her thoughts and back them up with the research that I did, and then get them all together between the pages of a book where they can be on record and experienced by other people. But don’t ever ask me to speak like Charlotte, ’cause I just don’t have her intelligence. I don’t have her audiographic memory, which I really, really had so much fun with.  

I love her passion for learning. I love what kind of a geek she is in that she has to learn how to have a sense of humor, and just her joy and her insatiable curiosity. Yes, I share that, and I have gone very passionately into all the various questions from whether or not—and this is all in my quest to immerse the reader in a world that becomes theirs, such that they forget they’re reading, and they forget that anyone wrote this. That this belongs to them, but they know they’re going to be guided through this story.  

And I love Victorian tropes because we’re familiar with them. And yet they provide a structure for endless surprises, right? What is the mystery behind that big portrait on the stairs? Well, this is a Victorian novel. We know that’s going to be important. And moreover, you as the reader know that this book will fulfill your curiosity and take you somewhere, right? So for me, those are readerly delights. 

Those are the delights that the audience hopes for in the theater, and that’s also why I write. I love to welcome people into a story. I wanted to write the kind of book I would have fun reading, you know, so… And that turned out to be a pretty tall order because I did have to immerse myself into the time and place. But there’s enough that’s very recognizable, and then enough that’s very, very strange, I think, to keep people on the journey. 

PH I’m very much looking forward to taking that journey myself. And for listeners who are eager to learn more about the process of writing this book, there’s so much conversation that can be had around this, and that’s going to be taking place October 28th, 7:00 PM at Memorial Park Library thanks to WordFest, so anyone who wants to check that out can head to wordfest.com to find out the details. Ann-Marie, thank you so much for joining this morning. 

AM Thank you so much Peter. I look forward to it, and all best. 

“Prompt hoarding” and the future of art

Maybe it’s just that I lean towards the verbal over the visual, but the tweet above from Adam Holwerda struck a chord with me. As much as I agree that having serious conversations around algorithmic appropriation of artistic styles and tech firms profiting off of the labour of emerging artists is essential if we want to understand the impact of computer-generated imagery—as someone without much artistic ability, I can’t deny the appeal of being able to come up with ideas for imagery and within seconds seeing how a machine-learning model can approximate my vague visual suggestions. It’s something different from the feeling I get from actual artistic creation, but it was, to put it crudely, neat.

Switch the medium from visual art to the written word, though, and the criticisms of AI hit closer to home for me. The idea that “future writers are hoarders of prompts” strikes me as deeply dystopian, an abdication of the creative impulse to something superficially related but profoundly different. Because it reduces art to strictly something to be consumed, ignoring the other, literally creative side of the creative process—which is a profound and deeply rooted human drive, with its own inherent value for the creator.

The art that machine-learning creates is, in a way, utilitarian. This isn’t to say it can’t also be beautiful, just that regardless of the intent of the prompter, the goal of the software isn’t expression, it is matching a set of specifications. Its decisions stem from some mix of subject and style that is specified in an initial prompt and likely refined through a series of iterations, the text returning an image that inspires tweaks to the prompt, which returns slightly different images, and so on until an image arrives that is either sufficiently close to the prompter’s original vision, or interesting enough in its own right to be chosen as an end point.

In this sense, creating AI art, at least with our current tools and models, is somewhere between a commission and a negotiation (which all commissions are, to some extent). This isn’t to be dismissive of commissioned pieces, which account for a significant portion of Western art’s canonical works—although notably the credit for those works goes to the artist who made it, not the patron who commissioned it. Some artists are creating fascinating and compelling works with AI tools already, and I’m sure those works will only get more sophisticated. But it strikes me as a very different process from what I’ll call “direct creation” for lack of a better term (acknowledging that all artistic creation is mediated and indirect to at least some extent).

Direct creation involves a different sort of negotiation—a constant self-negotiation, both conscious and unconscious, to refine the ideas you’re exploring. This is something I’m much more familiar with in terms of the written word, so I’ll focus on that here: the value of writing for me isn’t in having an idea and formalizing it in words, but in having an impulse and working it through in the process of writing. It can be slow and painful and full of revision; it can be wonderfully quick in rare instances; but however it happens, it’s a process that relies on reflection, self-knowledge, and some degree of personal growth, however small or indirect.

Getting a finished novel that matched your initial idea to a tee strikes me as almost a monkey’s paw situation. It eliminates the possibility for growth in the artistic process, replacing it with something closer to wish fulfilment. Even ignoring the fact that the algorithmic version of art is one that almost by definiton limits itself to styles and techniques that have already been created, archived, and tagged as art, this sort of creation taken to its extreme (and the tech isn’t there yet) is essentially stagnant. At the risk of romanticizing struggle, eliminating any friction between the creative impulse and its execution robs the artistic process of opportunities for personal growth. You’re no longer working through ideas if the idea leads immediately to the finished work.

All that said, I could see the publishing industry going the route of AI-generated novels, as Holwerda’s tweet imagines. If it went that way, I doubt authors and publishers would be involved at all. It’d more likely be algorithms all the way down, a mix of trending topics and deep personalization that wouldn’t need human interference to maximize engagement and profit. If writing novels can be handed over to the machines, generating ideas for those novels certainly could be, too, with other algorithms surfacing the content most likely to be consumed by each individual. The notion that prompt generation is somehow more immune to automation than any other artistic field strikes me as almost wilfully naive.

The impulse for people to tell stories isn’t going to go away, though. The personal value in hammering out specific wordings, developing metaphors, and working through your own contradictory thoughts is probably significant enough to outweigh the easier but relatively shallower process of creating written works from prompt-generation, at least for a significant subset of people who have the impulse to write.

Maybe what ultimately comes of this is the separation of content generation from artistic creation. When a version of every imaginable image or premise (or melody or whatever else) is available with a few second’s effort, the consumptive side of art, of getting exactly the niche content we want to see, will be as easy as clicking OK. But the need for the creative side of art will still remain. The need to make things—to work through thoughts, to fine-tune compositions, to put your fingers on an instrument and see what sounds you can coax out of it—that experience of creation will remain essential to a well-rounded life.

Our relationship to art has changed dramatically in the last century. Before recorded music was widespread, group singing was common. Recorded music led to professionalization and a percieved separation between performers and listeners that has contributed to the idea that making music is a rarified skill instead of a fundamental part of being human. We’ve become increasingly isolated from forms of expression that should be as natural as breathing.

The onset of AI art might make that worse. If algorithmic art can achieve the sublime, or even approximate it, the entertainment industry is in for a profound reckoning. It might be enough to scare off human creators from even trying to match machine-generated works. Or, it might be freeing. It’s a long shot, but the glut of content might be the reminder we need that the value of art is as at least as much in its creation as in its consumption. At the very least, it’s unlikely that the impulse to create the old fashioned way will ever totally disappear. Whether those more hand-made creations hold any economic value in an algorithmically generated mass entertainment complex, well, only time will tell.

Kindle Highlights: July, 2022

Another month, another collection of uncatagorized quotes and excerpts, including unattributed selections from Instapaper. As always, these are more for my own reference than public consumption.

Invisible cities (Calvino, Italo)

  • Your Highlight on page 28 | location 423-425 | Added on Friday, 1 July 2022 23:36:05

In this sense, nothing said of Aglaura is true, and yet these accounts create a solid and compact image of a city, whereas the haphazard opinions which might be inferred from living there have less substance. This is the result: the city that they speak of has much of what is needed to exist, whereas the city that exists on its site, exists less.

Tao Te Ching (Laozi)

  • Your Highlight on page 75 | location 1137-1139 | Added on Sunday, 10 July 2022 22:40:00

(The master of it) anticipates things that are difficult while they are easy, and does things that would become great while they are small. All difficult things in the world are sure to arise from a previous state in which they were easy, and all great things from one in which they were small. Therefore the sage, while he never does what is great, is able on that account to accomplish the greatest things.

Instapaper: Monday, Jul. 11th (Instapaper)

  • Your Highlight at location 263-265 | Added on Wednesday, 13 July 2022 22:56:06

And of course, my work as a poet and philosopher has matured into working with what I call the conversational nature of reality, which is the fact that we don’t get to choose, so often, between things we hope we can choose between.

Instapaper: Monday, Jul. 11th (Instapaper)

  • Your Highlight at location 287-289 | Added on Wednesday, 13 July 2022 22:58:44

I began to realize that my identity depended, not upon any beliefs I had, inherited beliefs or manufactured beliefs, but my identity actually depended on how much attention I was paying to things that were other than myself, and that as you deepen this intentionality and this attention, you started to broaden and deepen your own sense of presence.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 204-206 | Added on Friday, 15 July 2022 20:35:11

Now quantum physics has revealed that we’ve misunderstood imaginary numbers all along. They may have, for a time, seemed to be just a mental device inhabiting the minds of physicists and mathematicians, but since the real world that we inhabit is indeed quantum, it’s no surprise that imaginary numbers can be found, quite clearly, within

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 225-226 | Added on Friday, 15 July 2022 20:38:42

History , story , spell —there is in this etymological record a fable on the relationship between the human mind and the cosmos.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 232-234 | Added on Friday, 15 July 2022 20:39:48

Our minds discard features that don’t fit a chosen narrative, exaggerate elements that confirm the story we already believe in, fabricate out of whole-cloth details that don’t exist but ought to, and with each recollection, our memory is retold, respun, rewoven.

I and Thou (Unknown)

  • Your Highlight on page 12 | location 174-176 | Added on Friday, 15 July 2022 21:56:50

For the argument is not as it were horizontal, but spiral; it mounts, and gathers within itself the aphoristic and pregnant utterances of the earlier part.

I and Thou (Unknown)

  • Your Highlight on page 13 | location 192-192 | Added on Friday, 15 July 2022 21:58:26

There is no I taken in itself, but only the I of the primary word I-Thou and the I of the primary word I-it.

I and Thou (Unknown)

  • Your Highlight on page 17 | location 246-248 | Added on Saturday, 16 July 2022 12:06:42

Just as the melody is not made up of notes nor the verse of words nor the statue of lines, but they must be tugged and dragged till their unity has been scattered into these many pieces, so with the man to whom I say Thou.

Instapaper: Monday, Jul. 11th (Instapaper)

  • Your Highlight at location 1667-1668 | Added on Sunday, 17 July 2022 22:35:46

noiseless messengers sent forth to flicker ghost-like through space, and collect the news of other worlds.”

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 297-298 | Added on Wednesday, 20 July 2022 22:01:37

because empathy forces us to take up another, albeit biased, perspective on the world, it actually ends up making us more, not less objective.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 314-321 | Added on Wednesday, 20 July 2022 22:04:07

Though Heidegger understood how important action is to our understanding, it was only with Maurice Merleau-Ponty that the true importance of the body came to the fore. The world, he argued, is a space of possibilities, determined partly by our capacity for movement. Our skill in moving our bodies opens up new ways of engaging with what’s around us and, therefore, new ways of thinking about it. Rather than concepts or ideas, what organises our experience is our ‘readiness’ to encounter and interact with objects, people and the environment. Our consciousness is characterised more by ‘I can’ than by ‘I think’. This radical departure from traditional ways of thinking about the mind, in fact, has recently regained popularity in the sciences of the mind, under umbrellas such as ‘embodied cognition’ and ‘4E cognition’ (a shorthand for the idea that thought is embodied, embedded, enacted, and extended).

Instapaper: Monday, Jul. 11th (Instapaper)

  • Your Highlight at location 2059-2060 | Added on Wednesday, 20 July 2022 22:22:19

To bring about a globally just and sustainable economy, large areas of production and consumption will need to be dismantled, while other systems will need to be built in their place.

I and Thou (Unknown)

  • Your Highlight on page 21 | location 322-322 | Added on Thursday, 21 July 2022 23:05:52

Love is responsibility of an I for a Thou.

Tao Te Ching (Laozi)

  • Your Highlight on page 78 | location 1196-1197 | Added on Thursday, 21 July 2022 23:24:33

To know and yet (think) we do not know is the highest (attainment); not to know (and yet think) we do know is a disease.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 999-1002 | Added on Saturday, 23 July 2022 15:10:39

I began to realize that my identity depended, not upon any beliefs I had, inherited beliefs or manufactured beliefs, but my identity actually depended on how much attention I was paying to things that were other than myself, and that as you deepen this intentionality and this attention, you started to broaden and deepen your own sense of presence.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 1073-1073 | Added on Saturday, 23 July 2022 16:17:26

This is another delusion we have, that we can take a sincere path in life without having our heart broken.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 1113-1116 | Added on Saturday, 23 July 2022 16:24:21

I do think there is a quality of youthfulness which is appropriate to every decade of our life. It just looks different. We have this fixed idea of youthfulness from our teens or our 20s. But actually, there’s a form of youthfulness you’re supposed to inhabit when you’re in your 70s or your 80s or your 90s. It’s the sense of imminent surprise, of imminent revelation, except the revelation and the discovery is more magnified. It has more to do with your mortality and what you’re going to pass on and leave behind you, the shape of your own absence.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 1140-1142 | Added on Saturday, 23 July 2022 16:41:54

in a good marital argument, when one person has said the truth, both people are emancipated into the next stage of the relationship. Unfortunately, if you are not the person who said it, you have to have a little rear-guard action where you deny it, but eventually you have to say, I wish I’d have said that.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 1220-1225 | Added on Sunday, 24 July 2022 12:01:54

The way I interpreted it was the discipline of asking beautiful questions and that a beautiful question shapes a beautiful mind. And so the ability to ask beautiful questions — often in very un-beautiful moments — is one of the great disciplines of a human life. And a beautiful question starts to shape your identity as much by asking it as it does by having it answered. And you don’t have to do anything about it, you just have to keep asking. And before you know it, you will find yourself actually shaping a different life, meeting different people, finding conversations that are leading you in those directions that you wouldn’t even have seen before.

Instapaper: Thursday, Jul. 14th (Instapaper)

  • Your Highlight at location 1242-1243 | Added on Sunday, 24 July 2022 13:14:36

one of the astonishing qualities of being human is the measure of our reluctance to be here, actually. And I think one of the great necessities of self-knowledge is understanding and even tasting the single malt essence of your own reluctance to be here:

Instapaper: Wednesday, Jul. 27th (Instapaper)

  • Your Highlight at location 547-551 | Added on Thursday, 28 July 2022 22:43:14

In ecological economics, we’ve tried to make a distinction between development and growth. When something grows, it gets bigger physically by accretion or assimilation of material. When something develops, it gets better in a qualitative sense. It doesn’t have to get bigger. An example of that is computers. You can do fantastic computations now with a small material base in the computer. That’s real development. And the art of living is not synonymous with “more stuff.” People occasionally glimpse this, and then we fall back into more, more, more.

Instapaper: Wednesday, Jul. 27th (Instapaper)

  • Your Highlight at location 475-479 | Added on Friday, 29 July 2022 23:01:21

Risen argues that superstitions and other powerful intuitions can be so compelling that we simply cannot shake them off, despite knowing that they are wrong. According to her, System 2 is not simply lazy and inattentive, it is also “a bit of a pushover”; it will not override the result of System 1 if the feelings associated with that result are too strong. Many magical beliefs occur because we rely on System 1’s simple heuristics and employ them in situations where these rules do not apply. Even though System 2 knows they are wrong, it fails to correct the erroneous logic and thus acquiesces to magical beliefs.

Kindle Highlights: June, 2022

A shorter collection of excerpts this time around; starting a new job has cut down on my reading time. At some point I’m going to have to try to summarize SSOTBME and Ministry for the Future, but for now, as with all these highlights, this is for my own interest more than anything I expect to be halfway readable for others.

Can Such Things Be? (Ambrose Bierce)

  • Your Highlight on page 165 | location 2516-2517 | Added on Sunday, 5 June 2022 09:38:48

A man is like a tree: in a forest of his fellows he will grow as straight as his generic and individual nature permits; alone in the open, he yields to the deforming stresses and tortions that environ him. 

Can Such Things Be? (Ambrose Bierce)

  • Your Highlight on page 165 | location 2522-2522 | Added on Sunday, 5 June 2022 09:39:21

Anyone can tell some kind of story; narration is one of the elemental powers of the race.  But the talent for description is a gift.

Instapaper: Sunday, Jun. 5th (Instapaper)

  • Your Highlight at location 156-158 | Added on Tuesday, 7 June 2022 23:01:31

To talk about “hope” is to perhaps be trying to talk about resolve. Hope is a moral necessity amongst the privileged in the developed nations to work our butts off while we can because we won’t be the ones taking the hit first if we don’t act, but, eventually, it’ll get to us too.

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 110-110 | Added on Tuesday, 14 June 2022 21:42:09

In the case of the Magician, the ultimate defence is to remember that any version of a theory which lies within your comprehension, and in particular one that can be expressed in words, is necessarily not the whole truth. So however well it fits the facts — indeed especially if it fits too many facts — it is necessary to grow out of the theory once it is no longer needed

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 123-123 | Added on Thursday, 16 June 2022 22:47:05

. Of course the idea mentioned in Chapter 7A, that we are living in a self-debugging virtual universe, provides a model for this. Drawing too much conscious attention to paranormal experience evokes the debugging software to normalise it. Surprise is a commodity that does not stretch very far, and that is the tragedy of the media.

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 131-131 | Added on Friday, 17 June 2022 23:05:20

Using the previous analogy we have an infinite series of terms 1/2 + 1/4 + 1/8 + .. each more trivial than the last and yet all adding up towards a final unity

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 138-138 | Added on Sunday, 19 June 2022 20:59:27

But the real essence of morality in Magic is not such compromises, but rather — as I argue at greater length in my third volume of essays — that when one is stripped of all outer moral codes and injunctions, then you become fertile ground for a discovery of inner moral sense. This is what really happens during the serious pursuit of Magic

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 138-138 | Added on Sunday, 19 June 2022 21:00:13

Magicians too are blessed with the discovery that ‘anything goes’ does not actually force one to do anything.Indeed, it may only be when given such freedom that we come face to face with our own inner integrity

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 143-143 | Added on Sunday, 19 June 2022 21:13:44

The cog in the machine was an older image: in it each of us is like a cog, of no value in itself but a vital part of the machine. This is like feudal society where every person knows their place and has the comfort of knowing where they stand, but little sense of individual identity. We are now more like drops in an ocean. Unlike a mere cog, the drop of water is as valuable as the ocean itself because it is a microcosm of the whole — all the physics and chemistry of water is contained in that one drop and the ocean is no more than a giant extrapolation from it. But consider that drop as part of the ocean and it is utterly insignificant, it has no justification or sense of importance as the cog in the machine has. Science has liberated us cogs from the Religious machine and revealed our complexity. We are now shiny drops reflecting the world around us in all our individual glory. But Science, with its acceleration of communication, has also brought us to the ocean. I see myself as a drop — an individual with a vital message to give to the world — but when I try to express it I am brought face to face with the fact that I am one of millions of unwanted writers clogging up the in-trays of thousands of unwanted publishers

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 153-153 | Added on Sunday, 19 June 2022 21:32:04

Too slavish an acceptance of Religious and now Scientific authority has led us all to depend too much upon others for our ideas of truth. One expert makes an interesting observation, and we are glued to our television in order not to miss other experts’ views of his opinions. A book presenting a sensational new version of evolution appears and bec

Wild boars are invading Canada

Jana G. Pruden’s article on the ongoing wild boar invasion of Canada is the kind of piece where I can’t go more than a few sentences without quoting something to my partner. Its description of the boars is consistently fascinating and more than a little terrifying, making them seem almost supernaturally tough to control — they’re smart, vicious, mean-spirited, and shockingly fertile.

I have vague memories of hearing about boars escaping in the small town where my grandparents lived in the ’90s, and the town needing to impose a curfew to keep kids from getting gored. At the time it seemed ridiculous, its seriousness tempered by how cartoonish it all sounded to my thoroughly urban self. I never thought it would be a harbinger of a near-future plague of pigs, but here’s Canada’s paper of record publishing quotes like “There’s two types of people in the world: People that have pigs, and people that are about to have pigs.”

Guess I should do my best to enjoy the pig-free present before things go south.

Of course, the only reason the boars are here is because we imported them for farming, then set them free when profits dried up. Or worse, let them loose for game hunting because we knew they were tough and clever and resilient — and now we’re shocked that those same traits are helping them survive. Like any good horror stories, the true monster here is human shortsightedness, hubris, our complete unwillingness to think through (or care about) the consequences of our actions.

Kindle Highlights: April and May, 2022

Again presented largely without commentary (and in the case of May, largely without highlights… getting married and preparing to start a new job apparently takes away a lot of your reading and writing time). The main books involved here are Jeremy Lent’s The Web of Meaning, Lionel Snell’s SSOTBME Revised, and Kim Stanley Robinson’s substantial The Ministry for the Future, the latter two of which I’m still chipping away at.

Is there a common thread between them? Probably not. Web of Meaning is an attempt to bridge traditional knowledge and current scientific understanding, while shedding the faulty scientific and cultural assumptions we’ve built up over the past few centuries. SSOTBME is a primer on magic, which is ultimately about other lenses to view the world, so somewhat compatable with Lent’s Web. Robinson’s Ministry is an outlier, a speculative near-future that acknowledges the dangers of our path while still holding onto a narrow optimism. It’s quite bleak in places, but hopeful enough to keep me reading.

These Highlight posts are more for my own reference than anything I imagine anyone else would get something out of reading.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 32 | location 489-493 | Added on Friday, 1 April 2022 23:08:02

How would you make sense of your present experiences if you were oblivious to their antecedents or future implications? Researchers have discovered that this is how the right hemisphere perceives reality. It focuses on spatial patterns between things. It readily accepts an ambiguous or incomplete situation without trying to impose coherent meaning on it. It savors fluid, indeterminate and vague conditions. It’s also more closely connected with internal bodily experience, making its perception of the world more vibrant, filled with smell, sound and sensation.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 68 | location 1037-1038 | Added on Sunday, 3 April 2022 22:07:51

‘Only in the mirror of other life can we understand our own lives. Only in the eyes of the other can we become ourselves.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 90 | location 1366-1371 | Added on Tuesday, 5 April 2022 02:00:09

our instincts honed us to act amicably with our in-group but to treat those who seemed different from us with suspicion. Nowadays, most of us live in cosmopolitan societies and interact daily both with intimate acquaintances and strangers. Sapolsky’s wise rule is to rely on our intuition when we’re engaging with our in-group of family and friends, but when interacting with those who appear different from us, to ‘keep intuitions as far away as possible’. Instead, he suggests, we should utilize the theory of mind that evolution bequeathed to us. ‘Think, reason, and question,’ he writes. ‘Take their perspective, try to think what they think, try to feel what they feel. Take a deep breath, and then do it all again.’

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 28-28 | Added on Tuesday, 5 April 2022 02:33:39

Magic processes data in parallel (ie as ‘sympathies’) where Science would process data in sequence (ie as ‘causes’). Thus sympathetic Magic is the core of all Magic. To invoke a god or spirit you bring together qualities, objects and actions sympathetic to that spirit. To precipitate an event you bring together gods and spirits sympathetic to that event

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 108 | location 1649-1650 | Added on Tuesday, 5 April 2022 21:06:48

‘What is the heart, but a spring,’ wrote Thomas Hobbes, ‘and the nerves but so many strings?’ Descartes boldly declared, ‘I do not recognize any difference between the machines made by craftsmen and the various bodies that nature alone composes.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 129 | location 1963-1966 | Added on Tuesday, 5 April 2022 22:09:39

We can trace the holarchy of life from the microscopic components of a cell to the cell itself, many of which combine to form tissues, which make up organs such as the liver or skin, which are part of an organism. Organisms combine to form populations, which in conjunction with other organisms create ecosystems. The ultimate self-organized system containing all these holons is known by biologists as the biosphere – the interconnected web of all life on Earth.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 129 | location 1970-1974 | Added on Tuesday, 5 April 2022 22:10:04

Stuart Kauffman puts it in these terms: What is the weave? No one yet knows … But the tapestry has an overall design, an architecture, a woven cadence and rhythm that reflect underlying law – principles of self-organization … We enter new territory … We are seeking a new conceptual framework that does not yet exist.53

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 133 | location 2025-2026 | Added on Tuesday, 5 April 2022 22:14:40

As another early systems theorist, Norbert Wiener, put it, ‘We are but whirlpools in a river of ever-flowing water. We are not stuff that abides, but patterns that perpetuate themselves.’

Instapaper: Sunday, Apr. 3rd (Instapaper)

  • Your Highlight at location 657-659 | Added on Thursday, 7 April 2022 00:14:03

For Chambers, who didn’t ask to be labeled hopepunk but likes the term “very much,” the simple act of being kind in her writing, of imagining futures in which decency triumphs and people are allowed to cry tears of joy, qualifies as more than sufficiently rebellious in the 21st century.

Instapaper: Wednesday, Apr. 6th (Instapaper)

  • Your Highlight at location 98-100 | Added on Thursday, 7 April 2022 08:48:59

In a nutshell, he has shown that it’s possible to eliminate 70 percent to 80 percent of US carbon emissions by 2035 through rapid deployment of existing electrification technologies, with little-to-no carbon capture and sequestration.

Instapaper: Wednesday, Apr. 6th (Instapaper)

  • Your Highlight at location 267-270 | Added on Thursday, 7 April 2022 09:05:19

The Green New Deal made some lofty demands for rapid industrial mobilization and decarbonization. The response of its critics was often that it lacked a detailed roadmap to accomplish its goals. Griffith has provided that roadmap, with detail down to the machine level. It is possible to substantially decarbonize the US economy by 2035 — we know what to build, how fast to build it, and where to put it.

Instapaper: Wednesday, Apr. 6th (Instapaper)

  • Your Highlight at location 431-433 | Added on Thursday, 7 April 2022 09:35:45

“If we stay [focused] on the coast,” he adds, “like any coastal people—out of necessity, salvaging and reusing is, [and] was, just part of life. Right? So the circular economy, if you call it that, has been going on forever.”

Instapaper: Wednesday, Apr. 6th (Instapaper)

  • Your Highlight at location 444-445 | Added on Thursday, 7 April 2022 09:37:12

Sci-fi often paints the future as an increasingly virtual dystopia. But a book like The Diamond Age pulses with inventive possibilities that could lead to more grounded, ecologically sound possibilities, too.

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 36-36 | Added on Thursday, 7 April 2022 23:37:00

Because we are so steeped in the idea of causality, it is correct that I should approach the Magical position from a starting point of causality, even though it is ultimately irrelevant. So in answer to the question “what does the Magician have in place of an idea of causality?”, I will answer that the Magician does not deny a connection between events, but rather assumes that every event is connected to every other. This assumption makes the search for a chain of causes ridiculous: the links are too numerous and complex for analysis.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 161 | location 2465-2467 | Added on Saturday, 9 April 2022 07:59:33

The notes aren’t competing or cooperating with each other, but the way in which their differences act upon each other creates a blended experience that is richer and more beautiful than any of them alone. Could it be that the best description of how nature works is, in fact, a harmonic meshwork of life?

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 165 | location 2527-2530 | Added on Saturday, 9 April 2022 08:04:56

Geneticist Mae-Wan Ho captures this idea with her portrayal of life as ‘quantum jazz’. She describes it as ‘an incredible hive of activity at every level of magnification in the organism … locally appearing as though completely chaotic, and yet perfectly coordinated as a whole. This exquisite music is played in endless variations subject to our changes of mood and physiology, each organism and species with its own repertoire.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 174 | location 2663-2664 | Added on Tuesday, 12 April 2022 22:12:05

We’re back to Weber’s First Law of Desire: ‘Everything that lives wants more of life. Organisms are beings whose own existence means something to them.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 181 | location 2773-2777 | Added on Tuesday, 12 April 2022 22:25:56

In this case the embryo produces a large number of neurons – vastly more than it ultimately needs – all of which are committed to destroying themselves (called apoptosis) unless they receive certain survival factor proteins, which they can only get from other neurons. As a result, neurons that connect with plenty of neighbors stay alive, whereas those that formed in the wrong place or wandered in the wrong direction eventually kill themselves, recycling their components for the cells that were more successful.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 185 | location 2828-2831 | Added on Wednesday, 13 April 2022 08:30:10

As described evocatively by embryologist Karl Ernst von Baer, living organisms – animals, plants, bacteria or fungi – can be understood as the thoughts of nature. Ever since life began, it has continually applied its thoughts for greater learning, etching its successes into the genomes of its organisms, then using those achievements as building blocks for its next adventure.41

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 190 | location 2905-2907 | Added on Wednesday, 13 April 2022 08:37:18

Leslie White, who portrayed the rise of human civilization as a series of enhancements in energy utilization. Agriculture, White explained, harnessed the negentropy of horses, cows and sheep, who spent their days consuming the sun’s energy stored in plants, and then made it available to humans in the form of work, milk, wool and meat.

Instapaper: Monday, Apr. 11th (Instapaper)

  • Your Highlight at location 439-440 | Added on Wednesday, 13 April 2022 09:36:21

Unlike the Enlightenment, where progress was analytic and came from taking things apart, progress in the Age of Entanglement is synthetic and comes from putting things together.

Instapaper: Monday, Apr. 11th (Instapaper)

  • Your Highlight at location 458-461 | Added on Wednesday, 13 April 2022 09:38:56

For example, it may be difficult to tell the purpose of a particular line of code in an evolved program. In fact, the very concept of it having a specific purpose is probably ill-formed. The notion of functional decomposition comes from the engineering process of arranging components to embody causes and effects, so functional intention is an artifact of the engineering process. Simulated biological processes do not understand the system in the same sense that a human designer does. Instead, they discover what works without understanding,

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 43-43 | Added on Thursday, 14 April 2022 23:15:32

. SCIENCE Truth Yes Yes Conditional Absolute MAGIC Wholeness No No Unconditional RelativeRelationship by distinction is a particularly Scientific notion of relationship. As Magical thinking relies more on spacial, pattern recognition abilities, it is more inclined to ask where Magic ‘stands relative to’ Science. This is a different approach to relationship

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 44-44 | Added on Thursday, 14 April 2022 23:17:28

concluded that, in the terms of my recent volume of essays — What I Did In My Holidays — Dawkins had evoked a demon. Like myself, he is a champion of the notion that ideas can replicate and evolve within the ecology of human culture in a manner akin to the Darwinian model. The demon he had evoked was the apparent fear that New Age ideas might now be proving fitter to survive than his own ideas. Having demoted ‘goodness’ or ‘godliness’ and replaced it with ‘fitness’ as the key determinant, he has to face the possibility that Science’s ‘Truth’ might not be enough to save it from extinction. He can thus appear as a tribal shaman dancing a devil dance to protect his mind-children from a stronger foe.

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 46-46 | Added on Thursday, 14 April 2022 23:29:21

The Magical method is to act ‘as if ’ a theory is correct until it has done its job, and only then to replace it with another theory. A theory only fails if it cannot take hold in the mind and allow one to act ‘as if ’. As long as this approach is carried out properly — with a Magician’s understanding that the theory is being accepted only because it is ‘working’, not because it is ‘true’ — then there is little danger of delusion

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 57-57 | Added on Thursday, 14 April 2022 23:58:25

Magic, in turn, inherits unconscious skepticism from Science. Just as the ‘open minded’ Scientist is deep down a total believer in material reality, so also the ‘gullible’ Magician deep down does not really believe in anything

SSOTBME 148×216 – Lionel Snell

  • Your Highlight on page 60-60 | Added on Friday, 15 April 2022 00:05:15

it strikes me that you could play with this cycle as a conversational gambit in the presence of anyone who is strongly polarised towards one of my four directions of thought. This is how you do it. If you want to irritate the speaker, question his ideas from the perspective of the previous quadrant. To offend or disturb, use the opposite quadrant. To intrigue and stimulate, use the following quadrant.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 200 | location 3066-3069 | Added on Friday, 15 April 2022 07:44:09

In the words of entomologist Lewis Thomas, a single ant is not much more than a ‘ganglion on legs’. However, ‘four ants together, or ten, encircling a dead moth on a path, begin to look more like an idea’. It’s only when you see ‘the dense mass of thousands of ants, crowded together around the Hill, blackening the ground, that you begin to see the whole beast, and now you observe it thinking, planning, calculating. It is an intelligence.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 212 | location 3240-3242 | Added on Friday, 15 April 2022 09:01:50

Wanderer, the road is your footsteps, nothing else; wanderer, there is no path, you lay down a path in walking.

Instapaper: Friday, Apr. 15th (Instapaper)

  • Your Highlight at location 460-463 | Added on Sunday, 17 April 2022 08:23:06

If you spend enough time with GPT-3, conjuring new prompts to explore its capabilities and its failings, you end up feeling as if you are interacting with a kind of child prodigy whose brilliance is shadowed by some obvious limitations: capable of astonishing leaps of inference; possessing deep domain expertise in a vast range of fields, but shockingly clueless about many basic facts; prone to strange, senseless digressions; unencumbered by etiquette and social norms.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 239 | location 3662-3664 | Added on Sunday, 17 April 2022 08:51:07

Becoming a fully integrated organism means not just integrating within, but also integrating fractally with community, society and the entire ecosystem. We exist in a holarchy. Just as a single cell can’t flourish in a diseased organism, so the well-being of an individual human requires a healthy society.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 286 | location 4374-4376 | Added on Tuesday, 19 April 2022 08:26:18

You ask me to plow the ground! Shall I take a knife and tear my mother’s breast? Then when I die she will not take me to her bosom to rest. You ask me to dig for stone! Shall I dig under her skin for her bones? Then when I die I cannot enter her body to be born again.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 300 | location 4592-4597 | Added on Tuesday, 19 April 2022 08:58:38

The next time you go for a hike in nature and marvel at its beauty, take a moment to realize that you are looking at a pale, shrunken wraith of what it once was. An accumulation of studies around the world measuring the declines of species and ecosystems indicates that overall we’ve lost around 90 percent of nature’s profusion. We live, MacKinnon observes, in a ‘ten percent world’. Those of us who gain sustenance from the sacred beauty of nature sometimes like to think of it as a temple. But, as MacKinnon notes, ‘a greater truth should be foremost in mind: Nature is not a temple, but a ruin. A beautiful ruin, but a ruin all the same.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 305 | location 4672-4674 | Added on Tuesday, 19 April 2022 09:08:57

Stories abound of Western visitors observing native people leaving some of the harvest and misunderstanding this as either laziness or inefficiency. ‘We Indians like to leave something for the one who comes after,’ explained a Native American to a Western observer in the 1930s.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 312 | location 4781-4782 | Added on Tuesday, 19 April 2022 09:20:04

Whether we call it shi, tending, or conscious symbiosis, the pivotal lesson is the same: there is an alternative to the dichotomy that views civilization as either the triumph of humans over nature or the inevitable ruination of life’s plenitude.

Instapaper: Friday, Apr. 15th (Instapaper)

  • Your Highlight at location 779-781 | Added on Wednesday, 20 April 2022 22:42:43

Once social-media platforms had trained users to spend more time performing and less time connecting, the stage was set for the major transformation, which began in 2009: the intensification of viral dynamics.

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 348 | location 5335-5337 | Added on Thursday, 21 April 2022 22:58:24

‘When we embrace integration as a central drive in our lives, we cultivate meaning and connection, happiness and health … Beginning with integration within, extending integration to those you are connected with, and moving integration into our larger world: these may just be the reasons we are here … in this life.’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 371 | location 5675-5676 | Added on Friday, 22 April 2022 09:03:15

‘Heaven and earth are my coffin, the sun and moon are my burial jades, the stars and planets are my burial jewelry. Ten thousand things make up my sacrificial feast. Is not my funeral preparation complete? What can be added upon this?’

The Web of Meaning (Jeremy Lent)

  • Your Highlight on page 407 | location 6234-6236 | Added on Saturday, 23 April 2022 09:44:31

Hope, in the resounding words of dissident statesman Václav Havel, is ‘a state of mind, not a state of the world’. It is a ‘deep orientation of the human soul that can be held at the darkest times … an ability to work for something because it is good, not just because it stands a chance to succeed.’

Meditations (Emperor of Rome Marcus Aurelius)

  • Your Highlight on page 43 | location 600-602 | Added on Thursday, 28 April 2022 23:22:32

At what time soever thou wilt, it is in thy power to retire into thyself, and to be at rest, and free from all businesses. A man cannot any whither retire better than to his own soul; he especially who is beforehand provided of such things within, which whensoever he doth withdraw himself to look in, may presently afford unto him perfect ease and tranquillity.

Meditations (Emperor of Rome Marcus Aurelius)

  • Your Highlight on page 44 | location 625-625 | Added on Thursday, 28 April 2022 23:27:35

This world is mere change, and this life, opinion.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 58 | location 879-886 | Added on Saturday, 30 April 2022 09:54:49

There was scientifically supported evidence to show that if the Earth’s available resources were divided up equally among all eight billion humans, everyone would be fine. They would all be at adequacy, and the scientific evidence very robustly supported the contention that people living at adequacy, and confident they would stay there (a crucial point), were healthier and thus happier than rich people. So the upshot of that equal division would be an improvement for all. Rich people would often snort at this last study, then go off and lose sleep over their bodyguards, tax lawyers, legal risks—children crazy with arrogance, love not at all fungible—over-eating and over-indulgence generally, resulting health problems, ennui and existential angst—in short, an insomniac faceplant into the realization that science was once again right, that money couldn’t buy health or love or happiness.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 74 | location 1135-1137 | Added on Sunday, 1 May 2022 09:41:30

Also, the two billion poorest people on the planet still lack access to basics like toilets, housing, food, health care, education, and so on. This means that fully one-quarter of humanity, enough to equal the entire human population of the year 1960, is immiserated in ways that the poorest people of the feudal era or the Upper Paleolithic were not.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 124 | location 1887-1887 | Added on Monday, 2 May 2022 23:21:21

Say the order of your time feels unjust and unsustainable and yet massively entrenched, but also falling apart before your eyes.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 124 | location 1891-1892 | Added on Monday, 2 May 2022 23:21:57

we are all definitely always falling apart, and not massively entrenched in anything at all.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 148 | location 2264-2264 | Added on Tuesday, 3 May 2022 23:07:18

Demonstrations are parties. People party and then go home. Nothing changes.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 158 | location 2415-2416 | Added on Wednesday, 4 May 2022 08:43:06

Robustness and resilience are in general inefficient; but they are robust, they are resilient. And we need that by design.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 202 | location 3092-3095 | Added on Sunday, 8 May 2022 09:24:58

These SAPs were instruments of the postwar American economic empire, which was unlike the older empires in that it did not insist on ownership of its economic colonies; it only owned their debts and their profits, no more than that. The best empire yet, in terms of efficiency, and the neoliberal order was all about efficiency, in its purest economic definition: the speed and frictionlessness with which money moved from the poor to the rich.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 209 | location 3190-3192 | Added on Sunday, 8 May 2022 09:39:48

But what if it wasn’t a mistake? What if you had been forced, by being taken hostage, to focus for once on the reality of the other—on their desperation, which had to have been extreme to drive them to their own rash act? What if you saw that you might do the same sort of thing in the other’s shoes?

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 234 | location 3575-3576 | Added on Monday, 9 May 2022 22:31:27

Simply talking was the strongest social media of all of course, it was obvious once we rediscovered it, but those posters made the city itself our text, as it had been more than once before.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 276 | location 4220-4222 | Added on Wednesday, 18 May 2022 08:47:40

Shorting civilization and imagining living on in some fortress island of the mind was another fantasy of escape, one of many that rich people entertained, as ridiculous as retreating to Mars. Money was worthless if there was no civilization to back

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 278 | location 4260-4262 | Added on Wednesday, 18 May 2022 08:51:36

On the other hand, all central banks were undemocratic technocracies, not that dissimilar to China’s top-down system. They were run by financial elites who did what they felt was best without consulting even their own legislatures, much less the citizens of their countries.

The Ministry for the Future (Kim Stanley Robinson)

  • Your Highlight on page 283 | location 4333-4337 | Added on Wednesday, 18 May 2022 09:00:48

They were only really doing things to try to ameliorate the situation they were falling into after it was too late for those things to succeed. They kept closing the barn door after the horses were out, or after the barn had burned down. At that point their actions, which a few years or decades earlier might have been quite effective, weren’t enough. Maybe even close to useless. Over and again it was a case of too little too late, with nothing stronger anyone could think of to apply to the worsening situation.

Instapaper: Thursday, May. 19th (Instapaper)

  • Your Highlight at location 44-44 | Added on Sunday, 22 May 2022 22:16:59

The correct response to uncertainty is mythmaking.

How to Grow Old

Beautiful advice from Bertrand Russell on aging gracefully. Interesting the way it treats expansive interests as a sort of ego death, gradually recognizing that the end of the self is at most the briefest of flickers in the flame of existence.

The best way to overcome [an unhealthy fear of dying] — so at least it seems to me — is to make your interests gradually wider and more impersonal, until bit by bit the walls of the ego recede, and your life becomes increasingly merged in the universal life. An individual human existence should be like a river: small at first, narrowly contained within its banks, and rushing passionately past rocks and over waterfalls. Gradually the river grows wider, the banks recede, the waters flow more quietly, and in the end, without any visible break, they become merged in the sea, and painlessly lose their individual being. The man who, in old age, can see his life in this way, will not suffer from the fear of death, since the things he cares for will continue. And if, with the decay of vitality, weariness increases, the thought of rest will not be unwelcome. I should wish to die while still at work, knowing that others will carry on what I can no longer do and content in the thought that what was possible has been done.

Bertrand Russell’s “How to Grow Old”, from Portraits From Memory And Other Essays