Sound of Ceres, the cinematic dream-pop evolution of shoegazers Candy Claws, has announced an ambitious new album “inspired by Maurice Ravel’s ballet Daphnis et Chloé, Gustav Holst’s The Planets, and Les Baxter’s midcentury exotica.” The album follows a three-act narrative structure to explore the emergence of mind and meaning in an otherwise meaningless universe, which is quite a lot to tackle, but with narration by performance artist Marina Abramovic (who is set to restage her iconic piece The Artist is Present as a fundraiser for Ukraine) and dramatic orchestral accompaniment, the first single “Arm of Golden Flame” certainly sets the right tone. This will be one to watch out for.
Animal Collective – We Go Back (Video by Winston Hacking & Michael Enzbrunner)
Winston Hacking’s videos never fail to blow my mind. Whether it’s his work with musicians like Flying Lotus, BadBadNotGood, Washed Out, and Andy Shauf, or his own personal work, his endlessly inventive collages make for some of the most beautifully surreal media artworks out there.
His worlds are always in motion, and are never quite what you think they are. Scene transitions don’t follow any obvious logic. The ground falls out from under you. The camera rotates and reveals that what you thought was a flat surface is a 3D sculpture. Everything is collage and deconstruction, constantly reshaping and reorienting. As someone who’s never had much of a visual sense, I can’t wrap my head around what it takes to map out these kinds of nested illusions.
It’s basically a magic trick, and I’m more than happy to keep falling for it.
Andrew Wasylyk – Dreamt In The Current Of Leafless Winter
A gorgeous piece from Scottish musician Andrew Wasylyk, billed as “an attempted hypnagogic fog of meditation & possibility.” The 16-minute track builds slowly, a cloud of gentle twinklings and meandering melodies eventually coalescing into an insistent drum pulse, rising piano arpeggios, and inquisitive saxophone. The accompanying video, directed by Tommy Perman (of last year’s wonderful Positive Interactions project) ties the music to a multilayered, ever-shifting view of nature, echoing the song’s warmth in a bramble of soft light, tangled branches, and gently distorted reflections. The song and video both are bathed in twilight, comfortable, captivating, and kaleidoscopic.