AM Gold 2025

Trying to sum up a year’s worth of listening is never easy. I thought I’d get ahead of the curve in 2025 and do a better job of tracking every album that stood out to me throughout the year, but instead of making the job of list-making easier, all that did was give me even more choices than usual.

Which means this year’s AM Gold is even longer than usual—200+ albums, all told—and I’ve gone back to the unranked list because last year’s task of deciding on an order was honestly a nightmare even with 100 albums. Instead, I’ve grouped it into 50 favourites, and 150+ others that are still very much worth a listen.

Bandcamp links are included wherever possible, which is the vast majority of them. I’ve also thrown a track from each album into playlists on Apple Music and Spotify. Throw ’em on shuffle and you’re sure to discover at least a few new favourites.

50 favourites: The AM’s best of 2025

Adrian Younge – Something about April III
Younge’s stunning psych-soul series takes a welcome detour to Brazil.

Alabaster DePlume – A Blade Because A Blade Is Whole
Earnest, soul-searching, ambient-leaning jazz & spoken word.

Anika – Abyss
Stripped-down, grunge-influenced art rock from the former Exploded View singer.

🇨🇦 Avi C. Engel – Mote
Drone-folk, rich and loamy, and my introduction to the haunting tone of the gudok.

Ben Morales Frost, Violetta Vicci – Forest Music EP
Downtempo neo-classical (piano, keyboards, and strings) suited for escaping into imaginary woodlands.

Bertrand Belin – Watt
Belin’s gravelly voice often reminds me of Bryan Ferry’s later work (Avonmore especially), and the music backing him isn’t worlds removed from Roxy either, but the Franco-pop underpinnings give this its own swooning sense of romance.

Black Market Karma – Mellowmaker
Big-beat psychedelia, evoking ’90s Dust Brothers productions as much as the genre’s ’60s heydey with its sing-song melodies, loping rhythms, and looping structures.

Black Taffy – Out Moon
Simple instrumental beats with lush, cinematic production. Heavy on atmosphere and more than willing to tug on the heartstrings.

Blue Lake – The Animal
A wondrous expansion of Blue Lake’s folk-kosmische sound, blending pastoral beauty and ambient folk with some of the playfulness of Pengion Cafe. Organic and unpredictable, whirling and wandering like a wayward breeze.

Brown Fang – Netherfield Lagoons
Autumnal soundscapes, pitched somewhere between the Hardy Tree and Durutti Column.

🇨🇦 Buildings and Food – Provincial Park
Ambient compositions inspired by Canadian landscapes. Not so much about buildings, then, but still nourishing. Don’t miss the excellent remix EP, too.

Cerys Hafana – Angel
A remarkable album from Welsh triple-harpist Cerys Hafana. A beautiful fusion of folk & traditional tunes with neo-classical minimalism.The songs are dynamic, living things, deeply affecting with & without Hafana’s haunting voice.

Essendon Airport – MOR
Charming minimal compositions from a reunited ’70s/’80s Aussie duo; breezy & whimsical with an air of melancholy. Slide guitar, wurlitzer, gently chugging drum machines—everything you need to float through the daily drudgery.

Felbm – winterspring/summerfall
Splitting each season into 6 songs, this 24-track concept album is a pastoral jazz triumph, and a gorgeous blend of Felbm’s interests in natural & musical cycles.

🇨🇦 Fortunato Durutti Marinetti – Bitter Sweet, Sweet Bitter
Marinetti (aka Daniel Colussi) has been planting a flag alongside esoteric Canadian songwriters like Sandro Perri, Dan Bejar, and Leonard Cohen. Storied company, but the vivid arrangements, elliptical lyrics and offbeat delivery make a compelling case.

🇨🇦 Foxwarren – 2
Shauf’s side-project gives him the opportunity for a modest reinvention, sampling and remixing his band’s contributions into wooze indie-pop delights.

Go Kurosawa – Soft Shakes
The former Kikagaku Moyo drummer/ GuruGuruBrain co-founder tackles all the instrumentaiton and production on this one. Gentler and more eclectic than KM, and more rewarding for it, especially on the Kraftwerk-ish “Autowalk.”

Gustaf Ljunggren, Emil de Waal – Mikroklima
A melodic, meandering, and marvelous set of jazz-influenced instrumentals grounded in warm, rustic tones.

Ichiko Aoba – Luminescent Creatures
It’s rare for an album to feel this gentle and this unpredictable at the same time. Chamber folk and dream pop, intricate and delicate in equal measure.

Immersion, Suss Nanocluster, Vol. 3
The gentler of Immersion’s two 2025 albums (both are excellent, but I slightly preferred this one). Suss adds ambient Americana to Immersion’s kosmische strains, the collaboration bringing out the best in both.

🇨🇦 Jairus Sharif – Basis of Unity
Questing and inquisitive spiritual jazz—genuinely spiritual, not just a genre affectation, but a real search for meaning through breath, melody, and sonic texture.

Jilk – Fix Your Heart
The closest thing to pop structures I’ve heard from Jilk, without compromising on the experimentation and musical restlessness that makes the whole project so appealing. A truly gorgeous blend of melancholy French pop, skittering beats, and ambient electronics, easily one of the year’s best releases.

🇨🇦 Laurie Torres – Après coup
Confident and tranquil ambient jazz that rarely rises above a whisper, and is all the more engrossing for it.

Loaded Honey – Love Made Trees
Channeling vintage AM-radio soul: Warm, crackling, with the occasional surprising production choice breaking it out of a nostaglic haze.

M. Sage – Tender / Wading
The audio equivalent of laying down in a bed of leaves warm and soft from the midday sun, rich scent of humus filling your lungs, comforting and consciousness-dissolving in a way I can’t quite articulate.

Magic Fig – Valerian Tea
Starts with Starcastle prog-pop arpeggios, moves through an assortment of Canterbury-adjascent soundscapes, all in all a delightfully trippy slice of warm psychedelia.

🇨🇦 Memory Pearl – Cosmic-Astral
Apparently a re-imagining of a 1970s LSD soundtrack through a nurturing new-age lens; some pronounced jazz and easy listening influences, but still a trip in its own right.

Mess Esque Jay Marie, Comfort Me
Dirty Three guitarist Mick Turner’s latest project is comfortingly off-kilter, preferring to paint around melodies and hint at structures without ever taking the obvious route.

🇨🇦 Moon Apple – Four Pillars
The Montreal musician’s first full-length in five years offers “ritualistic rhythms and tribal soundscapes for a modern era,” an electronic ode to & subversion of traditian & ritual.

Mulatu Astatke Mulatu Plays Mulatu
Astatke helped define Ethio-jazz more than half a century ago and yet this is the first of his albums I’ve heard start to finish. Truly my loss—this is warm, rhythmic, complex, and captivating. Better late than never.

🇨🇦 No Joy – Bugland
Omnivorous shoegaze, with bold production that leaves no sound left unturned. No Joy’s inspirations run from Deftones to Enya, finding no contradiction in all the disparate sources.

🇨🇦 Orbital Ensemble – Live at Gold Standard
This live album and the self-titled debut from the Toronto latin jazz/psych ensemble are both full of groovy magic, but the slightly more muscular sound gives Live at Gold Standard the edge.

Oruã & Reverse Death – Reflectors Vol. 1
A split cassette featuring Reverse Death’s first music since their 2022 debut and demos from Oruã’s Slacker (also excellent). RD’s tracks are blissful slow-flowing psych; Oruã rougher-edged and garage-y, both glorious.

🇨🇦 Patche – Mode
Not sure what to call this outside of invigorating. It reminds me of hearing Holy Fuck’s live electronics for the first time, that mix of energy and possibility. Krautrock, maybe, but aimed at the dance floor, party music refracted into abstraction.

Persica 3 – Beauty in the Noise
Cindy Lee + C86 = jangle-pop bliss. Seems simple enough, but the quality of the songwriting goes well beyond any formula.

Phi-Psonics – Expanding to One
Consciousness-expanding spiritual jazz journeys. Three separate Wurlitzers are credited, which says everything you need to know.

Piotr Kurek – Songs and Bodies
Should be instantly adopted into the space rock/post-rock canon. Floyd at their most cosmic with vocals courtesy of a garbled voicemail—and I mean that as the highest compliment.

Pneumatic Tubes – Runner’s High
A fine follow-up to 2022’s A Letter from TreeTops, bringing together kosmische synths, warm woodwinds, and new age bliss.

Polypores – Cosmically a Shambles
December’s Hungry Vortex is a bit more brash, but Cosmically a Shambles was my favourite of 2025’s Polypores releases, a masterful analog workout, clattering, whirling, and playful.

🇨🇦 Population II – Maintenant Jamais
The evolution of this Montreal trio from their initial space rock odysseys to the concise but still ambitious psych-prog of Maintenant Jamais still blows me away.

Rachel Kitchlew – Flirty Ghost
A must-listen for fans of Dorothy Ashby and the more groove-based, less celestial side of jazz harp. Elegant stuff that manages to stay on just the right side of easy listening.

Rival Consoles – Landscape from Memory
I’m never sure how to describe the Erased Tapes aesthetic, but Rival Consoles must be its apex; synthetic but deeply affecting, overwhelming in the best sort of way.

Rural Tapes – Oneiric
“Flower Labs” is pure Clay Pipe, bursting with pastoral bliss, but Oneiric roams wider grounds—”Fantasia” with its swooning vocoder, “Hypermnesia” evoking early 2000s post rock, “Lingering Souls” pure paisley pop, just wonderful.

Sanam – Sametou Sawtan
Unexpected and unpredictable, dream pop in its more jagged original form filtered through Arabic musical traditions and a drive to create new sounds. If it’s ok to call this rock then it’s one of the more vital rock records of 2025.

Sessa – Pequena Vertigem de Amor
An evolution of the impeccably arranged MPB on 2022’s Estrela Acesa, laid back grooves and unafraid of a good hook. Fans of Arthur Verocai take note.

Sewell and the Gong – Patron Saint of Elsewhere
I’m such a sucker for pastoral British electronics. Pure contentment, and followed up by a solid remix EP.

Shrunken Elvis – Shrunken Elvis
A collaboration between Spencer Cullum, Sean Thompson, and Rich Ruth that doesn’t sound much like any of them, instead drawing from krautrock and ambient jazz for something fresh and open, with an easy, unflashy virtuosity.

🇨🇦 T Gowdy – Trill Scan
Prog-influenced electronics that draw surprising connections between medieval European music, contemporary electronic sounds, and artful experimentation.

🇨🇦 Thanya Iyer – Tide/Tied
Iyer’s jazz-and-soul-inflected pop is a warm breeze: nourishing and refreshing but also a force of nature. Healing sounds for a broken age.

🇨🇦 Viviane Audet – Le piano et le torrent
Solo piano compositions, quiet and unadorned. Songs like Barlicoco evoke Satie (at least to my untrained ear), and that strain of haunting minimalism is always welcome.


Another 150 or so albums you really can’t go wrong with, especially if you’re into the general genre

Apologies for the lack of blurbs/notes on many of these, but (and I insist this is true) there is simply too much good music out there, and more keeps getting made every year. The writing may be half-baked, but the music certainly isn’t.

Aaron Fisher and Rob Stephenson – Actual Place (Ambient folk)

Action & Tension & Space – New Dimensions (Kosmische)
Spaced-out Norwegian instrumentals with strains of psych, post-rock & jazz

Akasha System – Heliocene (Electronic)
A blend of Balearic beats, breathy synths and cosmic-minded new age atmosphere; too propulsive to really be called ambient, but definitely aimed at the chillout room more than the dancefloor.

Alex Albrecht – The Arboretum (Electronic)

🇨🇦 Alex Stevens and Ethan Levy – Two Silent Passengers (Instrumental folk)

🇨🇦 Altus – Terraform (Electronic)

Ami Taf Ra – The Prophet and the Madman (Soul, art-pop)
Maximalist jazz-prog, high-concept, played without a whiff of restraint but who needs it.

Andy Bell – Pinball Wanderer (Psychedelic)

Andy Boay – You Took That Walk For The Two Of Us (Psychedelic)
Solo offshoot of the always-brilliant Tonstartssbandht

Applesauce Tears – Balcony Confidential (Dream pop)

Apta – The Pool (Electronic)
Playful, soul-soothing modular synthesis.

Astrobal – L’uomo e la natura (Psychedelic)
Modern multicultural lounge-pop, for fans of Stereolab’s kitschier side

Automatic – Is It Now? (Art-rock)
Deceptively catchy synth-driven post-punk. At times sounds like a less haunted Broadcast, thanks to the band’s ear for distorted sonic textures and hypnotic melodies, but the killer basslines and off-kilter hooks are all their own.

Babe Rainbow – Slipper Imp and Shakaerator (Psychedelic)
Effortless bubblegum psych-pop—all mild highs and sunny days

🇨🇦 Badge Epoch – Furry Worried Ape (Groove)
Solo-leaning effort from Badge Epoque Enemble’s Max Turnbull (hence the slightly different name, but thankfully very much in the same vein)

Barker – Stochastic Drift (Electronic)
Experimental electronics inspired by the chaos and randomness of the universe

Basic – Dream City EP (Art-rock)
A bit like if Durutti Column listened to more Kraftwerk but also wanted to embrace more groove

🇨🇦 Beat Sexü – Dernière Chance (Electronic)

🇨🇦 Bells Larsen – Blurring Time (Indie folk)
An indie-folk album recorded both pre- and post-transition, allowing Larsen to harmonize their past voice with their present.

Ben Lamar Gay – Yowzers (Jazz)
The title track is the apocalyptic climate change anthem I didn’t know we needed.

Bitchin Bajas – Inland See (Ambient)
Four songs, 40 minutes, and every bit as immersive as you’d hope from these BBs. A wonderfully confident album, willing to let each track unfurl, patient and unforced.

Black Milk & Fat Ray – Food from the Gods (Hip hop)

Brown Spirits – Cosmic Seeds (Kosmische)

Bryan Ferry – Loose Talk (Art pop)
Spoken-word poetry over remixed Roxy demos; surprising and mysterious

C.R. Gillespie – Island of Women (Ambient)
Warm & balmy ambient sounds, gently percussive & consistently inventive.

Cate Francesca Brooks – Lofoten (Ambient / Electronic)

Charif Megarbane – Hawalat (Psychedelic / Library groove)

Charles Webster & the South African Connection – From the Hill (Electronic / Deep house)

Chloé Antoniotti – Bouquet II EP (Ambient / Neo-classical)

🇨🇦 Cris Derksen – The Visit (Neo-classical, Indigenous)

Cristina Lord – If It All Falls (Electronic)
“Genre-fluid electroacoustic works that explores concepts of texture and identity,” per Bandcamp. Headphone candy for those of us who revel in clicks and buzzes, in other words, but also unafraid of pure melody.

Dalham – Cobra / And The Sun (Electronic)
Speculative sci-fi soundscapes that have caught the ear of Ridley Scott.

Damon Locks – List of Demands (Jazz)

Dania – Listless (Electronic / Trip Hop)
A fusion of dream pop and trip hop, with a darkness rich as black velvet. Vocals echo and dissolve, the lyrics often indiscernable or oblique, the meaning coming through in sonic textures evoking 3am streetscapes and starless nights.

🇨🇦 Daphne’s Demise – The Heart is a Garden (Psychedelic)
Cosmic Canadiana with a pleasant lofi jangle.

Deradoorian – Ready for Heaven (Psychedelic)
Pop-infused psychedelia bringing together the best elements of Deradoorian’s various musical personae.

Derya Yıldırım & Grup Şimşek – Yarın Yoksa (Psychedelic)
“Outernational” psych-pop & Anatollian folk songs

🇨🇦 Destroyer – Dan’s Boogie (Art-rock)
As evocative as you’d hope, another fine extension of the Destroyer mythos

Diablo in Alpujarras – Diablo in Alpujarras (Psychedelic)
Guitar-forward psych, groovier than the constellation over at El Paraiso but just as dedicated to the expressive potential of extended jams. Inspired by mountain hikes, and as soaring as that implies.

Dirty Projectors – Song of the Earth (Art pop, Neo-classical)
A little overstuffed and overambitious, but gorgeous nonetheless

Disiniblud – Disiniblud (Dream pop / Experimental)
Rachika Nayar, Nina Keith, and a range of collaborators creating glitchy, fractured pop soundscapes.

Dissolve in Sepia – And Also (Ambient)
Moody but optimistic ambient out of Brazil

🇨🇦 drummachinemike – I Hope This Never Finds You (Electronic)
Dark, minimal, but oddly reassuring. Has grown on me significantly with each listen.

Edena Gardens – Dispossessed (Psychedelic)
More sprawling psych jams from the good folks at El Paraiso Records.

🇨🇦 Eiyn Sof – Empyrean Death Rites (Psychedelic)
Mystical & mythical psychedelic folk

🇨🇦 Elyot – Small Dances (Experimental)

Fabiano do Nascimento – Cavejaz (Jazz)

Falls – nothing but the best for everyone (Electronic / Electroacoustic)
A four-track EP that doesn’t even hit the 10-minute mark, but still manages to be everything I want in a hit of folktronica. A bit like Bibio before Ambivalence Avenue, tape warped, beautifully played & atmospheric.

Flur – Plunge (Jazz)
Harp jazz is having a moment right now (see also: Rachel Kitchlew, Brandee Younger, a plethora of Dorothy Ashby reissues). Flur mostly land on the more spiritual/abstract side of the genre; the GoGo Penguin-ish “Bolete” being a pleasant exception.

🇨🇦 Full Moon Bummer – First Night of Summer (Indie Rock)
A new alias from Chad VanGaalen, for a more off-the-cuff creative outlet

Futuropaco – Fortezza Di Vetro Vol. II (Psychedelic)
Fuzzy & beat-driven psych-funk instrumentals

Fuubutsushi – Columbia Deluxe (Ambient / Jazz)

Golden Brown – Patterner (Cosmic American Music)

Greg Foat – 6 Days in Leysin (Jazz)

Gwenifer Raymond – Last Night I Heard The Dog Star Bark (Folk)
The British folk-horror version of Fahey’s American primitivism. A track title nodding to Jack Parsons hints at the occult atmosphere Raymond creates with tangled knots of melody & plenty of buzz.

Gwenno – Utopia (Pop)

Heal Mura – The Limited Repetition of Pleasure (Electronic)

🇨🇦 Hélène Barbier – Panorama (Indie rock)

🇨🇦 Hermitess – Death and the Fool (Psychedelic)
Heady, thoughtful freak-folk bursting with vitality. Love that cover, too.

Hilary Woods – Night CRIÚ (Dream pop)
Folk noir that fits perfectly with the Sacred Bones roster. Rarely rising above a whisper, Woods has perfected the sort of hushed that inspires you to lean in, an album witnessed through a keyhole or across a vast empty hall.

Hollie Kenniff – For Forever – The Reworks (Ambient)
Inspired ambient reworkings of an already lovely late-2024 release

Ian Boddy, Harold Grosskopf – Doppelgänger (Electronic)
Tangerine daydreams expanding the possibilities of kosmische

IE – Reverse Earth (Psychedelic)

Immersion – WTF?? (Kosmische)
Never quite matches their collaboration with SUSS from February, but by trading that album’s ambient-folk trappings for motorik jams and semi-spoken vocals, it’s easily the more instantly accessible of the two releases.

Ivan the Tolerable & Hawksmoor – Atoms in the Void (Psychedelic)
Haunted jazz, ASMR, cosmic jazz—trippy in all the right ways.

JB Dunckel, Jonathan Fitoussi – Mirages 2 (Electronic)
Mostly meditative, with some appropriately Air-y grooves along the way

Jeff Greinke – Late Rain (Experimental)
Textured & atmospheric electroacoustic compositions

Jefre Cantu-Ledesma – Gift Songs (Ambient)
Compositions so gentle they nearly don’t exist

Jelena Ćirić, Snorri Hallgrímsson, Cécile Lacharme and Oliver Patrice Weder – Tramuntana Tapes I (Art pop)
Patiently improvised dream-pop digressions

Jenny Hval – Iris Silver Mist (Art pop)
Experimental pop’s finest lyricist, in one of her more musically adventurous moods.

Jeremiah Chiu & Marta Sofia Honer – Different Rooms (Ambient / Jazz)

🇨🇦 Jonathan Personne – Nouveau Monde (Psych-pop)
Lighter/poppier psych-rock from the Corridor singer/guitarist

🇨🇦 Joni Void – Every Life is a Light (Electronic)
Given the subject matter, Void’s pedigree, and Constellation’s general vibe, this is urprisingly welcoming, but unsurprisingly idiosyncratic

🇨🇦 Joseph Shabason, Thom Gil – Mississippi River Styx (Indie / Ambient)

Juana Molina – Doga (Indie rock)

Junk Drawer – Days of Heaven (Psychedelic)

🇨🇦 Kara-Lis Coverdale – A Series of Actions in a Sphere Forever (Experimental)
Her second of three albums of 2025 is a collection of piano nocturns for the darkest hours. Elegant use of sustain and decay, notes and chords overlap, ripple, and evaporate in patient combinations.

🇨🇦 Khotin – Peace Portal (Electronic)
Glistening downtempo compositions from one of Canada’s finest producers

Kibrom Birhane – Lisané Bahir (Jazz / Experimental)

🇨🇦 King Khan and Wolf Clan Jo – Wolf Clan Jo & King Khan (Psychedelic)
Sitar-and-flute-based spiritual protest songs.

🇨🇦 Kogane, Thomas White – tomkog (Electronic)
Vibrant, bouncy, off-kilter electronic instrumentals.

Korb – Korb IV (Psychedelic)
Soundtracky psych that’s willing to get wonky, but never loses sight of the groove.

Kronstad 23 – Sommermørket (Psychedelic)

Lael Neale – Altogether Stranger (Indie rock)
Nobody else today is this good at taking rock’n’roll into the mystic.

Lake Ruth – Hawking Radiation (Dream pop)

Le Motel – Odd Numbers / Số Lẻ (Ambient)

Light-Space Modulator – The Rising Wave (Psych-pop)

Limiñanas – Faded (Psych / Dirty French Pop)

Lord of the Isles – Signals Aligned (Ambient)
I miss the poetry from 2023’s My Noise is Nothing, but the textures on this one are pure ear candy for those who like their synths hazy and distorted. “United Wire” is its best moment and mission statement; start there.

Lorelle Meets the Obsolete – Corporal (Psychedelic)
Cavernous drums, walls of feedback, towering synths, thick to the point of oppression, the production on LMtO’s latest is massive. That heft insists on your attention, a counter to the weightless algorithmic cloud.

Loula Yorke – Hydrology (Ambient)

🇨🇦 Made-Up – World Making (Art-pop)

Makaya McCraven – Off the Record (Jazz)
Four EPs recorded at different times with different lineups. PopUp Shop is the most immediately appealing to me, Techno Logic the most intriguing. Only a few songs each, but still too much to absorb in an easy sitting.

Mansur Brown – Rihla (Dream pop)
The AR Kane school of dream pop—at turns silky, noisy, hushed & grand. Rainy city streets & existential angst.

Marshall Allen – New Dawn (Jazz)
The Arkestra leader makes his solo debut at 100. Wise, radiant, masterful

Mary Sue and the Clementi Sound Appreciation Club – Porcelain Shield, Paper Sword (Jazz)

Matt McBane – Buoy (Ambient)
A buoyant balance of synthesis and strings

Mattias Uneback – Harry Garth Jones Presents Music for Love (Exotica)
Effortless pop exotica conjuring tropical expanses and easy living.

🇨🇦 Men I Trust – Equus Caballas (Indie pop)
Their second album of the year, dreamier than the first and every bit as accomplished.

Milkweed – Remscéla (Folk)
If this is folk (and they say it is), it’s one of the most unique spins on the genre you’re likely to find this year.

🇨🇦 Moat Bells – Nap Bud (Ambient)
Inspired by animal naps, Moat Bells’ latest is a bit of a snooze, but in a pleasant way. Grounding, restful, and always imaginative.

Modern Nature – The Heat Warps (Indie rock)
After a few albums seeing how diffuse their sound could get (to brilliant effect), this probably counts as forceful?

Monde UFO – Flamingo Tower (Psychedelic)
More polished than 2023’s Vandalized Statues, but still like a fractured art-pop radio transmisssion

Morgan Szymanski / Tommy Perman – Songs for the Mist Forest (Jazz)

🇨🇦 Mount Maxwell – Birds of Paradise (Ambient)

Nyron Higor – Nyron Higor (MPB / Brazilian pop)

Okonski – Entrance Music (Jazz)

Oneohtrixpointnever – Tranquilizer (Electronic)

Oono Yuuki Band – Mawari – michi, Kaze no (Post Rock)

🇨🇦 Ora Cogan – Bury Me EP (Psychedelic)

Organic Pulse Ensemble – Oppression is Nine Tenths of the Law (Jazz)
Worth it for the title alone. Fortunately the one-man spiritual jazz band is also soul-affirming.

🇨🇦 Pacific Coliseum – Voice Wave (Electronic)
Balearic/deep house from the always excellent Teen Daze

Papir – IX (Psychedelic)

Park Jiha – All Living Things (Ambient)

Patricia Brennan – Of The Near And Far (Jazz)
Jazz improvisation, new music inventiveness, neo-classical melodicism, embracing dissonance & discord but just short of outright chaos. There’s always a through-line, an inner symmetry to keep from falling apart.

🇨🇦 Peace Flag Ensemble – Everything is Possible (Jazz)
Ambient prairie jazz & post-rock for fans of Fuubutsushi

Pedro Mizutani & Skinshape – Mostrando os Dentes (Psychedelic, MPB)

Peel Dream Magazine – Taurus (Indie-pop)
Opener “Venus in Nadir” is spot-on Belle and Sebastian, but while those twee influences persist, so does the dronier indie-pop that endeared PDM in the first place. Immaculate melodies played with appealing restraing.

🇨🇦 Postnamers – City Songs (Art-pop)
Post-goth cut & paste compositions. Often discordant and unsettling, but also strangely captivating—and at times hauntingly beautiful.

Prepared – Module (Neo-classical))

Project Gemini & Wendy Martinez – Time Stands Still / Le temps s’arrête (Psychedelic)
PG always sounds like the score to an excellent forgotten film; Martinez (of Gloria) brings a different melodic sensibility, a bit like a gentler, folkier Limiñanas. Groovy Franco-psych.

🇨🇦 Proxima Psychoacoustics – Whynott (Ambient)
Nature-inspired Canadian electronics: Proxima’s most varied album to date draws from a youth spent in rural Nova Scotia, evoking the wonder of forest walks and bike rides under endless skies.

Ray Barbee – Little Postcards From Home (Kosmische)
A more mellow set from Barbee, but his albums are so sporadic I’ll take whatever I can get.

Resonating With Life – Resonating With Life (Electronic)
Space synths turned inwards, meditation aimed not at quieting the mind but opening it to the breadth of existence. That’s a lot to put on an instrumental synth album, but its optimism is very welcome right now.

Salami Rose Joe Louis – Lorings (Art-pop)
More grounded than you might expect from such a proud pop-art weirdo—but still one of the oddest pop releases of the year

Sam Prekop – Open Close (Electronic)
When it comes to modular synth, Prekop is one of the finest, and Open Close is up there with his best. Just the right balance of patience and payoff, endlessly evolving variations aiming for transcendence.

Sankt Otten – Tote Winkel (Kosmische)

Satomimagae – Taba (Folktronic)

Scholars of the Peak – Transmissions from Mother Hill (Electronic)

Sharp Pins – Balloon Balloon Balloon (Jangle pop)

SHOLTO – The Sirens (Psych / Library Groove)

Simon Pyke – Aurelume (Experimental)

Snails – Just Look Around (Indie rock)

Snakeskin – We live in sand (Dream pop)
The 2nd Beirut-based act to catch my ear this year after SANAM. Snakeskin is similarly experimental in its textures, though often brighter & more indebted to dream pop. Not all sunshine, but even at its darkest, hope remains.

Sounds of New Soma – The Story of Sam Buckett (Kosmische)

Stereolab – Instant Holograms on Metal Film (Art-pop)
Plenty of others have taken inspiration, but no one else does it quite like them.

Steve Hauschildt – Aeropsia (Electronic)
Six years and one transcontinental migration since his last release, Hauschildt’s latest picks up right where 2019’s Nonlin left off, maybe a little hazier and more ambiguous, but as rich & rewarding as anything he’s released.

Sulk Rooms – Rewilding (Electronic)

Sven Wunder – Daybreak (Easy listening)
Somewhere between library groove and easy listening (not that those poles are particularly far apart). Too sophisticated to be written off as schmaltz, but let’s say it’s at least conversant. Cinematic, openhearted, and uncynical.

🇨🇦 Teen Daze – Splashes of Colour (Electronic)

🇨🇦 Test Card – Signals (Electronic)

The Baker Fields – Frankley My Dear (Electronic)
Another dose of pastoral bliss from the label that does it best.

The Circling Sun – Orbits (Jazz)

The Cords – The Cords (Jangle pop)
Precocious talent—two teen sisters tossing out some of the best jangle-pop this side of the 1980s like it was nothing. “Yes It’s True” adds some shoegaze warble to the production, hinting at new directions yet to come.

The Cosmic Tones Research Trio – The Cosmic Tones Research Trio (Jazz)
Spiritual jazz explorations and incantations, confidently balancing invention with reassurance. The energetic “Sankofa” is the standout, but there isn’t a track here that isn’t worth some concentrated reflection.

The Laughing Chimes – Whispers in the Speech Machine (Jangle pop)

The New Eves – The New Eve is Rising (Post-punk)

The Sorcerers – Other Worlds And Habitats (Jazz)

The Sure Fire Soul Ensemble – Gemini (Soul)

🇨🇦 The World Next Door – Chaotic Mixing (Ambient)
Don’t let the title throw you, these are absolutely meticulous soundscapes (in the best way).

Thought Bubble – Mostly True (Psychedelic / Trip hop)

thruoutin – A Desolate Hue (Ambient)
Mellow, abstract, downcast

Titanic – HAGEN (Art rock)
Calling this art rock because I don’t know what else to say, but that doesn’t begin to touch on the drama, the dynamics, the effortless shifts from abrasive noise to harmonic bliss. I feel like I’ve barely begun digesting this one.

Tony Molina – On This Day (Jangle pop)

Uh – pleroma EP (Experimental)
A “wondrous coalescence of rave, pastoralism and futurism” resolving as Eno-ish pop. “I Want My Life Back” pops into my head regularly.

Vanbur – Of Becoming (Dream pop)

Vega Trails – Sierra Tracks (Jazz)

Warrington-Runcorn New Town Development Plan – Public Works and Utilities (Electronic)
WRNTDP’s urban synthscapes are never less than excellent; the optimistic “Renewal and Regenration” & the sprawling “The People Matter” are welcome additions to the plan.

🇨🇦 Wihtikow – ᐊᐦᒐᕽ (Electronic)
Darkly beat-driven shoegaze, or distorted BoC-ish electronica, or both at the same time.

Winter – Adult Romantix (Indie rock)
More muscular than her usual gossamer-gaze, but no less considered & intricate.

Woo – Music to Watch Seeds Grow By 001: Woo (Sweet Peas) (Experimental)
Patient as the title impies, one of the cult duo’s most consistent releases.

🇨🇦 Yoo Doo Right, 🇨🇦 Population II, Nolan Potter – Yoo II avec Nolan Potter (Psychedelic / Space Rock)
Space rock, psych, Zappa-esque jams, free jazz skronk — everything you want when it’s time to crank the volume and hide in a wall of sound. The kind of noisy that loops back to soothing.

AM Gold 2024

I would never be so bold as to declare a list of the best albums of a given year. More music now comes out in a day than used to get released in a full year; with a field that large, it’s an act of hubris to speak with any confidence about objective standings and impartial rankings.

Instead, this is just a list of 100 101 albums that made their way to The AM in 2024 that are worth a listen if you enjoy the show’s mix of off-beat easy listening. Hosting the show is a great way to force myself to listen to as much new music as I can—but it also means I tend to listen for a particular mood, namely songs that sound good as you’re waking up on a Monday morning. That means this list gravitates heavily towards that vibe, so if you’re looking for abrasive and energetic tracks, this list isn’t that, by and large.

For the first time in many a year, the albums aren’t listed alphabetically—it’s an honest-to-goodness countdown. There are so many lists out there that it felt unfair to throw another 100 albums at you without at least some effort to help you pick where to put your attention. That said, I still fully believe music isn’t a competition and this ranking should be taken with a grain of salt. Ask me tomorrow and I might end up with a very different order; the fine gradations are arbitrary, and even the broad sweeps are a matter of mood as much as anything.

Skim through it in order from #100-#1* or just throw the playlist below on shuffle—but do make a point of checking these albums out. And an honorable mention goes to The Cure’s three-hour concert video of Songs of a Lost World and classic songs; the album is solid, but I think it works significantly better in a live format, and kudos to them for releasing such an epic performance free on YouTube.

*The Spotify playlist is missing about five tracks that weren’t in their system. All albums below link to the relevant Bandcamp page if it was available, or to Spotify if not.

100. Tomo Katsurada – Dream of the Egg

Recommended if you like (RIYL): Kikagaku Moyo, homemade psychedelia, eggs

99. Hélène Vogelsinger – Ethereal Dissolution

RIYL: Cascading modular synths, unexpected harmonies, and overwhelming sonic textures

98. Trees Speak – TimeFold

RIYL: Tangerine dreams and concise kosmische explorations

97. The Sorcerers – I Too Am a Stranger

RIYL: Upbeat Ethiojazz by way of northern England

96. Loula Yorke – speak, thou vast and venerable head

RIYL: Droning downtempo compositions, atmospheric field recordings

95. Ivan the Tolerable – Time is a Grave

RIYL: Haunted home-made psych-jazz

94. Drum & Lace – Onda

RIYL: Hypnotic ambient beats, winter landscapes

93. Church Chords – elvis, he was Schlager

RIYL: Experimental pop for weirdos and jazz heads

92. Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer – The Closest Thing to Silence

RIYL: Inner journies and meditative moods

91. Lynn Avery, Cole Poulice – Phantasy & Reality

RIYL: Patient, spacious ambient jazz

90. Osmanthus – Between Seasons

RIYL: Intermingling neo-classical and experimental electronic impulses

89. Tristan De Liege – Fields

RIYL: Intricate but hazy downtempo electronics

88. Temporal Waves – Temporal Waves

RIYL: Tabla, synthwave, psychedelia, and grandeur

87. Group Listening – Walks

RIYL: Long walks through the countryside

86. Hollie Kenniff – For Forever

RIYL: Patient, melodic ambient sounds, slow builds, reverb

85. Warrington Runcorn New Town Development Plan – Your Community Hub

RIYL: Municipal planning, analog synths, ridiculous band names, ’70s sci-fi

84. Seahawks – Time Enough for Love

RIYL: New age soundscapes, gentle pulsing beats

83. Clinic Stars – Only Hinting

RIYL: The gauzest of dream-pop sounds

82. Mark McGuire – Anhedonia

RIYL: Emeralds (the band), looping guitar lines

81. Charbonneau / Amato – Enflammer le désert (OST)

RIYL: Melodic synths and vast expanses

80. The Hologram People – Isola Dei Morti Viventi

RIYL: Italian horror soundtracks, library grooves

79. Jane Weaver – Love in Constant Spectacle

RIYL: World-weary psych pop that still manages to shimmer

78. Dean McPhee – Astral Gold

RIYL: Acoustic explorations of distant galaxies

77. Miyauchi Yuri – Beta 2

RIYL: Blissfully glitchy Japanese electronics

76. p:ano – ba ba ba

RIYL: Nick Krgovich, Kellarisa, contemplative indie pop

75. Yasmin Williams – Acadia

RIYL: Joyfully melodic fingerpicked guitar

74. Jahari Massamba Unit – YHWH is LOVE

RIYL: Trippy instrumentals, Karriem Riggins, Madlib

73. Bananagun – Why is the Colour of the Sky

RIYL: Sun-baked (and otherwise-baked) psychedelia

72. Circles Around the Sun, Mikaela Davis – After Sunrise

RIYL: Harps, disco, basking in the afterglow

71. Jilk – Soft in Shape and Meaning

RIYL: Post-rock improvizations and experimental collectives

70. Retep Folo & Dorothy Moskowitz – The Afterlife Album

RIYL: Outsider electronics, ’60s psychedelia, hauntology more broadly, great cover art

69. Hawksmoor – Oneironautics

RIYL: German art-rock from decades past, Robert Fripp, feeling a little pretentious

68. Dissolve in Sepia – Spaciousness

RIYL: Jazzy genre-fluid downtempo compositions

67. Ana Butterss – Mighty Vertebrate

RIYL: Groove-based experimental music, Jeff Parker, the future of jazz

66. Molly Lewis – On the Lips

RIYL: Whistling, easy listening, exotica, more whistling

65. SHOLTO – Letting Go of Forever

RIYL: 60’s library grooves, ’70s movie soundtracks, 2000s chillout music

64. Big Brave – A Chaos of Flowers

RIYL: Folk music written by thunderclouds

63. Misha Panfilov – Frutaria Electrónica


RIYL: The very cheesiest synth sounds, getting lost in whorls and eddies of melody

62. Polypores – Unlimited Lives

RIYL: Self-contained sonic universes coaxed from modular synths

61. Beak> – >>>>

RIYL: Haunted folk, the gentler side of krautrock, Portishead, pervasive eerieness

60. Fourtet – Three

RIYL: Anything Keiran Hebden has done in the last 20 years

59. Godspeed You! Black Emperor – No Title as of 13 February 2024 28,340 Dead

RIYL: Slow builds, catharsis, walls of noise

58. Daisy Rickman – Howl

RIYL: Spooky psych-folk, Nico, drones and jangles

57. Einstürzende Neubauten – Rampen (apm: alien pop music)

RIYL: Subtle melodies, balancing abrasion and beauty, pop music made by aliens

56. Jon Hopkins – RITUAL

RIYL: Patience, subtlety, guided journies through altered states

55. Von Spar, Eiko Ishibashi – Album I

RIYL: Contemporary Japanese movie soundtracks, German art-rock, experimental sounds

54. Badbadnotgood – Mid:Spiral

RIYL: Instrumental jazz, neo-soul, soundtrack jazz, hearing people mellow out a bit

53. Erki Pärnoja – Rumba

RIYL: Playful Estonian instrumentals, tasteful little guitar licks, avoiding being too flashy

52. Unessential Oils – Unessential Oils

RIYL: Plants & Animals, Tropicalia, Canadian indie pop

51. Bibi Club – Feu de garde

RIYL: Jangling guitars, bilingual vocals, spritely energy

50. Dummy – Free Energy

RIYL: Transient random noise bursts, drone-pop

49. Jon McKiel – Hex

RIYL: East Coast Canadian indie-pop experimentalism

48. Andre Ethier – Cold Spaghetti

RIYL: Subdued, observational singer-songwriters

47. Various Artists – TRANSA

RIYL: An expansive and affirmational exploration of transition

46. maya ongaku – Electronic Phantoms

RIYL: The softer side of Japanese psychedelia

45. Luka Kuplowsky – How Can I Possibly Sleep When There Is Music?

RIYL: Poetry, Sandro Perri, Bohemianism, revelling in beauty but in a fairly chill way

44. Psychic Temple – Doggie Paddlin’ Thru the Cosmic Conscousness

RIYL: The most cosmic of cosmic American music, subdued space-country jams

43. Ethnic Heritage Ensemble – Open Me, A Higher Consciousness of Sound and Spirit

RIYL: 50-year-old jazz collectives trying cello, viola, and violin on for size

42. Nala Sinephro – Endlessness

RIYL: Dissolving the boundaries between jazz, neo-classical, ambient, and electronic

41. BASIC – This Is BASIC

RIYL: The Durutti Column, Chris Forsyth, sideways approaches to art-rock instrumentals

40. Peel Dream Magazine – Rose Main Reading Room

RIYL: Breezy, unpretentious bedroom pop

39. Laurent Dury – Organic Minimalism

RIYL: TV soundtracks, library music, contemporary classical sounds

38. Scions – To Cry Out in the Wilderness

RIYL: Experimental, affirmational, confrontational art-rock

37. OHMA – On Loving Earth

RIYL: Open-hearted instrumental collaborations, acoustic guitar and flute

36. Jennifer Castle – Camelot

RIYL: ’70s folk, alt-country, impeccable songwriting

35. Earthen Sea – Recollection

RIYL: A downbeat, dubby, tribute to ECM jazz

34. The Smile – Cutouts

RIYL: Thom Yorke, Jonny Greenwood and Tom Skinner just living in the moment

33. Dialect – Atlas of Green

RIYL: Sonic sculptures and electroacoustic experiments

32. Project Gemini – Colours & Light

RIYL: Funky psychedelia, deep soundtrack grooves, haunted forests

31. Bernardino Femminielli – Opéra Bouffe

RIYL: Serge Gainsbourg, melodrama, indulgence

30. Memorials – Memorial Waterslides

RIYL: Electrolane, Wire, art-rock excellence

29. Jessica Pratt – Here In the Pitch

RIYL: “spectral ’60s pop, Hollywood psychedelia and bossa nova” (because the bio says it best)

28. Eric Chenaux Trio – Delights of My Life

RIYL: Lost jazz standards flipped inside out

27. Zachary Gray – Suburbia EP

RIYL: East-coast IDM, headphone beats, wistfulness in musical form

26. Bilal Nasser – How Can We Say Nothing

RIYL: Post-classical guitar, shoegaze, tension, beauty and catharsis

25. Ayal Senior – Ora

RIYL: Psych-folk instrumentals, desert soundscapes, tasteful prog overtones

24. Beth Gibbons – Lives Outgrown

RIYL: Portishead without the trip-hop, melancholy folk, realizing you’re aging and should probably accept it

23. Elori Saxl – Earth Focus OST

RIYL: PBS, high-concept jazz, erasing the lines between nature and architecture

22. The Soundcarriers – Through Other Reflections

RIYL: Impeccable throwback psych-pop, trippy harmonies, bands that deserve more attention

21. Nick Schofield – Ambient Ensemble

RIYL: Ambient ensembles, electroacoustic collaborations, feeling at peace with your surroundings

20. Buildings and Food – Echo the Field

RIYL: Hope, warmth, and comfort conveyed through buzzing synths and ASMR beats

19. Geotic – The Anchorite

RIYL: Baths, Bibio, tape hiss, surprising moments of distorted bliss

18. Shabaka – Perceive Its Beauty, Acknowledge Its Grace

RIYL: Beauty, grace, ambient jazz, woodwinds, Moses Sumney, Laraaji, breathing

17. Fuubutsushi – Meridians

RIYL: Subtle, meditative jazz and post-rock with the occassional melodromatic flourish

16. Sam Wilson – Wintertides

RIYL: Intricate instrumental folk-jazz, an unusual blend of invention and accessibility

15.5. Loving – Any Light

(.5 because I missed this on the initial draft and that’s unforgiveable)

RIYL: Classic AM radio, Jungian psychology, pitch-perfect folk-rock

15. Organic Pulse Ensemble – Zither Suite

RIYL: Can’t think of anything clever because I don’t understand how it’s possible for one musician to singlehandly make a jazz album that feels this multifaceted

14. ROY – Spoons for the World

RIYL: Scott Walker, Lee Hazlewood, deep voices singing cosmic country

13. Andrew Wasylyk, Tommy Perman – Ash Grey and the Gull Glides On

RIYL: Perfect pairings, jazz-folk-electronic fusions, subtle details, chanted vocals, small doses of Arab Strap

12. Tomin – A Willed and Conscious Balance

RIYL: The International Anthem version of large-ensemble jazz, featuring strings and horns aplenty

11. Lau Ro – Cabana

RIYL: Wax Machine, MPB, soft psychedelia, instrospection

10. SW Hedrick – Devotional Drift Vol. 1

RIYL: Metal guitarists embracing transcendental rhythms and meditative compositions

9. Hiro Ama – Music for Peace and Harmony

RIYL: Japanese synthesizers, romantic ideals, gentle reassurances

8. Cindy Lee – Diamond Jubilee

RIYL: Singular visions, impeccable musicianship, girl group pop, subversive instincts, the sound of letting people in, at least just a little

7. Caméra – Caméra

RIYL: Slowing down, getting playful, making music for the joy of it

6. Peggy Lee & Cole Schmidt – Forever Stories Of: Moving Parties

RIYL: Unusually expansive cello and guitar-led compositions pulling from post-rock, experimental jazz, ’70s prog and beyond

5. SiP – Leos Ultras

RIYL: Fourth-world ditties that radiate warmth, wisdom and joy

4. Tristan Arp – a pool, a portal

RIYL: Closing your eyes, opening your ears, and getting lost in strange new world

3. Hypnodrone Ensemble – The Problem Is In The Sender – Do Not Tamper With The Receiver

RIYL: Waves of sound enveloping you until the rest of the world just disappears

2. Fabiano do Nascimento, Sam Gendel – The Room

RIYL: The year’s purest expression of melody, acoustic artists in absolute alignment

1. Ezra Feinberg – Soft Power

RIYL: Beauty in simplicity, sipping drinks from the Penguin Cafe, feeling like maybe it’s going to be ok

Best Albums of 2024 (So Far)

A selection of the finest ambient, experimental, dream pop, and otherwise blissful releases from Jan-June 2024. One song each from most of these (minus three) are in this Spotify playlist and this Tidal playlist, or listen to the albums in their entirety with the links below.

Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer – The Closest Thing to Silence (Feb. 2, 2024)

A lush blending of electronics and woodwinds, capturing the best of both strands of the current ambient jazz boom. Its improvised tracks are inquisitive, intelligent, grounded, and grounding.

Ayal Senior – Ora (June 19, 2024)

Invigorating instrumental psych-folk—lovely melodies anchored by Senior’s resonant 12-string guitar. Meandering without sacrificing momentum, like a river flowing confidently to the sea.

Beak> – >>>> (May 28, 2024)

More of Beak> doing what they do best, exploring the haunted side of kosmische and post-rock. Unsurprisingly for a Portishead spinoff (though it’s a well-established project in its own right), this is perfect autumn music—maybe set it aside until then.

Beth Gibbons – Lives Outgrown (May 17, 2024)

Another Portishead-related project. Shocking that former frontwoman Gibbons waited until 2024 to make her solo debut (2002’s brilliant Out of Season almost counts, but was still a collaboration with Rustin Mann). Less shocking that it’s also a fantastic piece of work, a moody meditation on life and loss. “Floating on a Moment” even manages to make a children’s choir effective, no small feat.

Bibi Club – Feu de garde (May 10, 2024)

Jangling pop and post-punk sung in both official languages. Strongest in its most upbeat moments (see “Le feu” or “Reu du Repos”), but the moodier moments work well, too.

Big Brave – A Chaos of Flowers (April 19, 2024)

Like folk songs played on thunderclouds—doom-laden dirges riding some of the crunchiest distortion you’ll hear this year.

Bilal Nasser – How Can We Say Nothing (February 15, 2024)

An inspired fusion of classical guitar, shoegaze atmospherics, and post-rock pacing, and a haunting statement from the Palistinean-Canadian composer.

Buildings and Food – Echo the Field (May 10, 2024)

Stripped down compositions from Toronto’s Jen K. Wilson that reveal more with every spin. Inspired by the expanse of the Mojave and just as easy to get lost in.

Caméra – Caméra (April 5, 2024)

A fantastic debut from this Montreal trio that’s very much flying under the radar. Gently cinematic sounds that never fail to surprise; a Quebec post-rock spin on Yann Tiersen, or a more sedate take on Torngat’s early 2000s explorations. Either way, this one’s a stunner.

Cindy Lee – Diamond Jubilee (March 30, 2024)

Say what you will about the release strategy and the hype, this double-album from former Women singer Pat Flegel deserves all the acclaim its received. The first Cindy Lee album that doesn’t push listeners away with walls of confrontational distortion; just haunted pop bliss from a spectral ’60s girl-group.

Circles Around the Sun and Mikaela Davis – After Sunrise (April 5, 2024)

Speaking of pop bliss, who would’ve thought disco cosmonauts and expressive harp would sound this great together? Tailor-made for lounging beachside without a care in the world.

Daisy Rickman – Howl (March 20, 2024)

Nico is the lazy comparison, but it’s not like it isn’t apt. Droning folk compositions and icy-cool and strikingly deep vocals; you could easily convince me that Rickman has tapped into some deep well of earth-magic.

Dana Gavanski – Late Slap (April 5, 2024)

A bit more of a pop effort, but still every bit as quirky and inventive as anything she’s released—the melodies are always unconventional and accessible all at once.

David Allred – Apocalypse Rose (June 20, 2024)

Gentle and brief neoclassical compositions, slow, melodic, and a little melancholy. Not an attention-grabber, but when the right mood strikes, it’s an easy one to get lost in.

Dean McPhee – Astral Gold (February 16, 2024)

Solo guitar looped, echoed and reverberated until it conjures the cosmos. Influenced by kosmische, dub, and experimental electronics, Astral Gold drifts slowly and inevitably, a score to distant, unfathomable clouds of interstellar dust.

Eric Chenaux Trio – Delights of My Life (May 31, 2024)

Chenaux’s ongoing collaborations with Ryan Driver are never less than gorgeous, and the first release from this new trio (rounded out by percussionist Phillipe Melanson) is as lovely as anything in his rich catalogue. Chenaux’s voice is in top form, and no effects can hide the beauty of these guitar melodies. Lounge music from an alternate dimension.

Ethnic Heritage Ensemble – Open Me, A Higher Consciousness of Sound and Spirit (March 8, 2024)

50 years on, Kahil El’Zabar’s Ethic Heritage Ensemble is still adding new dimensions to its sound. Open Me adds cello, violin, and viola to the mix, and the gritty textures are hypnotic. The opening spin on Miles Davis’ “All Blues” and the pulsing take on the traditional “The Whole World” are highlights among a very solid collection of spiritual, consciousness-expanding jazz.

Ezra Feinberg – Soft Power (May 31, 2024)

East coast ambient from former Citay member (and current psychoanalyst) Ezra Feinberg, who benefits from some exceptional collaborators. Mary Lattimore lends her always-welcome harp to closing track “Get Some Rest,” Jefre Cantu-Ledesma adds flutters of synth to “Pose Beams” (along with Robbie Lee’s expressive piano); each song feels more discovered than written, open to possibilities and inviting to the listener.

Fabiano do Nascimento, Sam Gendel – The Room (January 26, 2024)

An instant favourite from the first strums of album opener “Foi Boto.” do Nascimento’s seven-string guitar is exceptional but never showy, prompting Gendel to indulge in his most melodic impulses. Nothing more than guitar and saxophone, but easily among the most captivating releases of 2024.

Fuubutsushi – Meridians (June 27, 2024)

The expectations set by Fuubutsushi’s fantastic four-part tribute to the seasons, released in 2020 and 2021, can’t have been easy to manage. That project was a band discovering itself—the project didn’t even have a name when the first part was released—whereas Meridians is by necessity a fleshing out of and reaction to those first releases. Good news: Meridians is absolutely a worthy successor to the ambient-jazz torch, or post-rock, or whatever you might want to call a blend of lush violin, field recordings, exploratory percussion, and wandering woodwinds.

Geotic – The Anchorite (February 21, 2024)

Will Wiesenfeld’s latest conjures up early Bibio in all the best ways, with fingerpicked guitars, heavy reverb, and plenty of tape hiss evoking an old cassette dug up from the forest humus. That is, until “The Lime of Stars” unleashes the distortion and reaches for a droning cosmic crescendo.

Group Listening – Walks (May 10, 2024)

I would’ve been quite content with Group Listening sticking to their formula of covering cult classics on clarinet and piano, but I can’t begrudge them branching out into original compositions. Especially when it keeps the playfulness of the previous approach while expanding the sonic pallette as expertly as they do here.

Hochzeitskapelle – We Dance EP (March 22, 2024)

Four covers—Pavement, Yo La Tengo, Low, and German pop band Wir Sind Helden—transformed into Hochzeitskapelle’s trademark autumnal “Rumpelljazz” might seem a bit slight compared to some of the albums on this list, but after the expanse of last year’s double-album The Orchestra in the Sky, the brevity is understandable. And regardless of the length, as always with Hochzeitskapelle, the mood is magic.

Ivan the Tolerable – Time is a Grave (June 7, 2024)

Time is a Grave is Ivan the Tolerable (aka Oli Heffernan)’s sixth release of 2024 (with another due out in a few days as I write this), which might make you assume it’s tossed off, but the strange thing is he’s as consistent as he is prolific. Jammy, psychedelic jazz, slightly spooky with no shortage of musical ideas.

Jahari Massamba Unit – YHWH is LOVE (March 1, 2024)

Karriem Riggins and Madlib reteam after 2020’s Pardon My French for an album of hip-hop-influenced spiritual jazz. Given those names and those genres, you probably already know if you’re sold. Deep grooves and good vibes.

Jeffrey Silverstein – Roseway EP (June 14, 2024)

Silverstein’s sound has evolved quite a bit since 2020’s You Become the Mountain, but the basic gist—a fusion of country boogie and new age atmosphere—is still solidly in place. The boogie is at the forefront here, with Akron/Family drummer Dana Buoy providing the backbone, and Connor Gallaher’s pedal steel ramping up the twang.

Jessica Pratt – Here in the Pitch (May 3, 2024)

Classic pop songcraft that pulls from the sounds of the ’60s (or earlier), but never succumbing to nostalgia—Pratt may have tapped into an older vein, but she isn’t pretending the past 50 years of musical history didn’t happen. Haunting, resilient, and unplaceably odd.

Jon McKiel – Hex (May 3, 2024)

Oddball psychedelia from New Brunswick. McKiel and collaborator Jay Crocker both know how to write pop tunes and how to subvert them. Inspired by ’60s-’70s singer songwriters (see the Terry Jacks cover or the Everley-aping “Everlee”), but through a filter of East Coast experimentation.

Kilometre Club – An Alphabet of Distance (June 1, 2024)

Twenty-six ambient collaborations, from “Airliner” (with Holly Kenniff) to “Zone of Harmony” (with Sun Rain), each artist adding their own unique textures to Kilometre Club’s droning ambiance.

Lau Ro – Cabana (May 31, 2024)

Wax Machine’s Lau Ro explores their Brazilian roots on their solo debut. The results are heavy on atmosphere (tape hiss and field recordings are par for the course), but also airy and melodic, intimate and experimental.

Los Days – Dusty Dreams (May 31, 2024)

Easygoing easy-listening instrumentals from Tommy Guerrero & Josh Lippi. Surf, psych, and breezy tropicalia baked under the desert sun.

Loving – Any Light (February 9, 2024)

Laurel Canyon vibes via Canada’s West Coast, with lyrics inspired by Jungian insights and melodies that rarely rise above a whisper, because they don’t need to.

Luka Kuplowsky – How Can I Possibly Sleep When There Is Music (May 31, 2024)

It’s hard not to fixate on the breezy title track and its chief sentiment, but the 24 tracks here cover a lot of ground. Poetry set to music, and occassionally as indulgent as that surely sounds, but even if it inspires the occassional eye-roll, it inspires bliss much more often.

Magic Fig – Magic Fig (May 17, 2024)

An excellent distillation of the best parts of psych, Canterbury, pop-prog, and jangle-pop, reconfiguring familiar elements into a sunny summer soundtrack.

Molly Lewis – On the Lips (February 16, 2024)

The queen of contemporary exotica makes it all seem so effortless. Ten songs anchored by Lewis’ immaculate whistle, this time adding a few more contemporary sounds to the mix, still straddling the line between kitsch and classic in all the right ways.

Nick Schofield – Ambient Ensemble (February 9, 2024)

With Ambient Ensemble, Schofield moves gracefully from synth soundscapes to chamber music. Collaboration suits him—the clarinet flutters and violin swells add a vibrancy that’s often missing from solo ambient work.

OHMA – On Loving Earth (April 22, 2024)

Abandoning the synths they used so effectively on 2022’s Between All Things, OHMA’s Mia Garcia and Hailey Niswanger stick to organic sounds for On Loving Earth. The narrower musical focus brings the melodies to the forefront, lilting and lovely, paying tribute to the beauty of nature.

Organic Pulse Ensemble – Zither Suite (January 5, 2024)

Despite the name, OPE is actually one man, Gustav Horneij, layering sax, flute, bass, and zither into spiritual jazz bliss in an apartment outside Gothenberg. How Zither Suite captures the freewheeling spirit of improv so perfectly without an actual ensemble is hard to imagine, but the results speak for themselves.

Osmanthus – Between Seasons (January 30, 2024)

Not the Toronto alt-rock band, the Calgary collaboration between ambient synth maestro Valiska and violinist Laura Reid. Improvised sessions reworked digitally, sometimes subtly and other times more obviously; it’s at its most engrossing in the longer compositions, but the ear for unique textures is always there.

Project Gemini – Colours & Lights (April 5, 2024)

2022’s The Children of Scorpio was a solid enough debut, but Colours & Lights ups the ante in every respect. Acid-folk grooves, psychedelic vocals, and folk-horror vibes—it’s a perfect Halloween album without being so on-the-nose that you couldn’t play it year round.

Psychic Temple – Doggie Paddlin’ Thru the Cosmic Consciousness (May 31, 2024)

You never quite know what you’ll get with Psychic Temple—a 15-minute spooky-jazz cover of Black Sabbath? 20 minute cosmic-synth experiments?—but the surprise with the ninth and possibly final Psychic Temple album is how straightforward it is. Just laid-back cosmic country grooves and chooglin’ guitars, backyard music for semi-stoned summer days (even for those of us who don’t partake in anything stronger than music).

Retep Folo & Dorothy Moskowitz – The Afterlife Album (March 1, 2024)

Hauntological audio collage of the sort you’d expect from Ghost Box recordings or maybe Broadcast, cobbling together bits of psychedelica, Mort Garson synthscapes, and otherworldy exotica. Co-creator Moskowitz was in ’60s psych act United States of America, and apparently the 60 years since that psychedelic moment has done nothing to dim her musical adventurousness.

ROY – Spoons for the World (April 19, 2024)

ROY’s retro-minded psych-glam never quite worked for me, but his re-emergence as a country-tinged Scott Walker/more melancholy Lee Hazelwood is nothing short of stunning. Maybe it’s another schtick, but when the songwriting is this impeccable, who really cares?

Sam Wilson – Wintertides (April 5, 2024)

Folk-influenced instrumental jazz, taking inspiration from nature in its cyclical compositions. For an album inspired by winter, it’s surprisingly warm to my ears; maybe this is winter viewed through a window from inside a warm cabin, admiring the iciness outside but feeling cozier from the contrast.

Shabaka – Perceive Its Beauty, Acknowledge Its Grace (April 12, 2024)

2022’s sparse Afrikan Culture foreshadowed Shabaka’s decision to put away his saxophone (sorry Sons of Kemet and Comet is Coming fans) in favour of flute, clarinet, and other, more obscure winds. Shabaka’s latest builds on that foundation but enlists others to expand the sound, with Moses Sumney, Saul Williams, Laaraji, and Andre 3000 among the talented many here. Gentle, varied, and highly rewarding.

Shabason, Krgovich, Sage – Shabason, Krgovich, Sage (April 5, 2024)

The third partnering of Shabason & Krgovich adds M. Sage’s pastoral electronics to the mix, and if it’s not exactly a departure from the past two releases, it’s still a welcome variation. Krgovich’s observational lyrics are insightful as ever, consistently elevating the everyday into the borderline-transcendent.

Temporal Waves – Temporal Waves (April 12, 2024)

Tabla isn’t typically associated with sci-fi futurescapes, but Temporal Waves debut makes it sound like a natural fit. A retrofuturist vision, rich with synthwave influences and the occasional psychedelic solo from Besnard Lakes’ Jace Lacek, who also produced.

The Sorcerers – I Too Am a Stranger (February 9, 2024)

Deeply groovy stuff, the kind of sound you sort of wish was from a recently unearthed slab of ’70s vinyl instead of three lads from Leeds indulging in Ethio-jazz adventures, but beggars can’t be choosers.

Unessential Oils – Unessential Oils (May 31, 2024)

Easily my favourite release from Warren Spicer since Plants & Animals debuted with With/Avec almost 20 years ago. It embraces a loose jazziness that has always suited Spicer’s songwriting, with elements of folk and Tropicalia keeping the sounds nice and varied.

Yu Ching – The Crystal Hum (April 26, 2024)

No surprise that Yu Ching shares a label with the Space Lady and Ela Orleans—all three embrace idiosyncratic approaches to lo-fi synth songwriting. Like Orleans, Yuching Huang prefers the oblique and mysterious to anything like an obvious hook. It’s unearthly, but still oddly ear-catching, unexpected and inviting at the same time.

Recent Listening: February 2024

I’ve been getting into the habit of sharing sporadic reviews on Threads when it strikes me, and figured it’d be an idea to start compiling them here, too. I’m not in the habit of writing about duds, so if it’s here, consider it an endorsement.

Retep Folo & Dorothy Moskowitz – The Afterlife EP (2023)

Moskowitz’ psych credentials date back to her time in LA art-rock project The United States in the ’60s. Nearly 60 years later, she still has an adventurous ear, teaming with Folo for a release that wanders the same cosmic byways as Alain Goraguer’s Fantastic Planet score, with hints of Broadcast, vintage library music, and other retro-futurist sounds. My only complaint is that it’s too short—but fortunately there’s a full-length due next month.

Fortunato Durutti Marinetti – Eight Waves in Search of an Ocean (2023)

pener “Lightning on a Sunny Day” treads a little close to Destroyer’s postmodern spin on ’80s easy listening, but by the time you hit the strut of “Smash Your Head Against the Wall” there’s no doubt this is something special. Flutes flutter, synths buzz and soar, and Marinetti’s not-quite-spoken-word vocals dryly deliver enigmatic lines, pitched somewhere between Lou and Leonard.

Penza Penza – Electricolorized (2023)

I missed this record from Misha Panfilov’s primitivist side-project last year because Penza Penza’s previous releases were a little garagey for my taste. This one hits a sweet spot, though—fuzzy, catchy, and groovy through and through. Should’ve known better than to doubt Estonia’s master of library instrumentals.

Loving – Any Light (2024)

Laid-back pop perfection that pinches some of Nilsson’s effortless melodicism and the Bryter side of Nick Drake (though considerably more subdued). With music like this, I always find it difficult to pin down what makes one artist sound cliched and another invigorating, but Loving have always landed on the right side of that divide. Call it charisma, craft, or just personal bias, but they haven’t led me wrong yet.

It feels like there’s a ’60s/’70s singer-songwriter renaissance around the corner (see ROY’s newest single, or Fortunato above), and if that happens, Loving should be at the forefront.

Minhwi Lee – 미래의 고향 Hometown to Come

Singer-songwriter fare from South Korea. Hushed, a little melancholy, always elegant. At its best when the jazz influences come to the fore, but there really isn’t a bum note, and the tasteful arrangements (strings, flute, melodic percussion) make for fine evening listening.

Recent Listening: January 2024

Recent instrumental music that seemed worth highlighting. I’ve been getting into the habit of sharing sporadic soundtracks on Threads, and figured it’d be an idea to start compiling them here, too.

Tuulikki Bartosik – Playscapes (2023)

Neo-classical accordion with harmonium, omnichord, and zither. More than a gimmick, the unconventional instrumentation gives this one a real sense of warmth. A very engaging combination of style & timbre, somewhere between Nils Frahm, Terry Riley, and Penguin Cafe.

Frank Horvat – A Village of Landscapes (2023)

A song cycle for bassoon (with piano, synths, and solo) inspired by Canada’s landscape, performed by Sebastien Malette and Allison Wiebe. I’m a sucker for music inspired by natural spaces, and these compositions have a very appropriate mix of tranquility, grandeur, darkness, and beauty. Bassoon isn’t what I’ve typically thought of as a feature instrument, but there’s no denying its versatility.

Felbm – Cycli Infini (2023)

Kicking myself for not including this low-key masterpiece on my year end list. Blame the format—a single 40-minute track is harder to fit into my normal listening habits—not any lack in the composition. A single bedroom jazz journey built from tape loops large and small, softly spiraling into infinity, each moment complete in itself and also subsumed in those around it.

Fabiano do Nascimento & Sam Gendel – The Room (2024)

An album of captivating duets—do Nascimento on seven-string guitar and Gendel on soprano sax—up there with the best of Brazillian jazz. The musicianship is stellar but never loses sight of melody and mood. Released less than a month into 2024, and setting a very high bar for the rest of the year to meet.